Cabin Fever (2016)

One from the to watch pile…
Cabin Fever (2016)

Film: OK, so I just want to start this review by pointing out what my opinion of remakes is: I have no problem with them at all. I don’t necessarily get angry or upset when a remake is announced, and I don’t think the remake diminishes the original in the slightest, if anything, it’s sequels that commit that crime more than remakes. Sure a lot have been terrible, but that reflects a remakes misinterpretation of the original’s intent more than anything else, and somethings they can even be entertaining.

My final word on remakes is without them, we wouldn’t have John Carpenter’s The Thing, Chuck Russell’s The Blob, De Toth’s House of Wax, Oz’s Little Shop of Horrors or Croenenberg’s The Fly!

Sure, I get 2005’s House of Wax and 2004’s Flight of the Phoenix are good example against remakes, but again, they don’t actually diminish the originals.

For some reason though, the space between an original film and its remake seems to be getting shorter, and I’m not talking about the j-horror to English versions either. In 2002, Eli Roth released his first film called Cabin Fever, and it was a gem. For some reason though, 13 years later, Roth decided that he would produce a remake of it… Why?

I imagine money, but that would be cynical, so I honestly don’t know. Seriously, why would someone who is one of us (a horror fan) who made it to Hollywood, managed to squeezed tributes to his favourite films in a film he made, based on a personal experience want to allow something he created to be remade when it was good the way it was?

This remake is directed by Travis Zariwny from a script by Randy Pearlstein, who realistically just dropped the original script by Eli Roth into a mixmaster and regurgitated it into what must have been thought of as a hard-hitting remake. Fede Alvarez did the same thing with his Evil Dead remake, but for me, that was a successful attempt at ‘nasty-ing’ up something that had a sense of humour, whereas this fails.

Anyway, Cabin Fever tells of five friends, Karen (Gage Golightly), Jeff (Matthew Daddario), Paul (Samuel Davis), Marcy (Nadine Crocker) and Bert (Dustin Ingram) who decide to go on a trip into the woods to stay in a beautiful lakeside cabin. One night, their fun is interrupted by a woodsman who is seemingly infected with a disease that, of course, quickly spreads to the group… But can they survive?

The answer in this case is, who cares?

The original had a sense of humour to it that it gone from this version and even though Roth’s comedy may be, somewhat sophomoric at time, it did at least give this film an identity that is absent from this. Speaking of losing identity, the three male leads are horrible photocopies of a type and don’t have any real characterisation of their own. At a push I’d suggest the two women in the film were the same, but at least they could be identified by ‘the brunette one’ or ‘the blond one’, which is really their only difference and makes them Easy to tell apart, well, until the blonde cop turns up, who thankfully has a scar which means she looks different from the other one.

Which brings me to another weird point: the cop has been changed from the goofy guy, to a really attractive blonde, but have given her the same dialogue, which is delivered slowly and with menacing music, so her intentions are cloudy. Does she just want to party with the kids, or is she suggesting that she has other intentions? 

There’s some terrible flaws in this film too, that the editors should have picked up on. The first sex scene, which is surprising hot initially, is reduced to being crappy once you notice that the guy has shorts on, which can be seen not once, but twice. Terrible, that sort of stuff takes me out of a film.

So why remake this film when it is so close to the original release? Who knows… But everyone: EVERYONE…. Crew, cast, viewer, we all wasted our time. If I am to shine any light onto it, it did have some nice gore, and the nipple-pierced nudity was a high point.

Score: **

Format: This Australian Bluray release of Cabin Fever runs at 1 hour and 38 minutes and is presented is a crystal clear 2.40:1 image with a DTS-HD Master Audio 5.1 soundtrack which also kicks arse. 

Score: *****

Extras: Not a damned thing… Not even scene selection. Nasty, lazy release. The angry-at-unnecessary-remakes-film-fan in me thinks that when you remake something, at the very least, you should have a small doco justifying or explaining why you think the film NEEDED a remake.

Score: 0

WISIA: I’ll probably just watch the original again.

The 5th Wave (2016) Review

One from the to watch pile…
The 5th Wave (2015)

Film: The 5th Wave is a film based on the, to date, as yet unfinished teen-aimed trilogy written by Rick Yancey. The film’s screenplay was written by Akiva Goldsman, Susanna Grant and Jeff Pinker, and directed by J Blakeson, who wrote The Descent Part 2 and The Disappearance of Alice Creed, which was also his directorial debut.

The 5th Wave tells the story of Cassie (Chloe Grace Moretz) and her experiences during an invasion by an alien race who have obviously done their research on the planet. 

Cassie is just a normal school girl, living at home with her Mum (Maggie Siff), Dad (Ron Livingston) and brother Sammy (Zackary Arthur) when an alien invasion happens and the family ends up separated. The parents meet an untimely demise, and the kids are separated. Sammy ends up with an army regiment who are training children to fight the aliens; here he meets up with Zombie (Nick Robinson), the leader of Squad 53 (and also ex-schoolmate of Cassie), Ringer (Maika Monroe, almost unrecognisable actor from It Follows) and others.

Meanwhile, Cassie is desperate to find her brother, and after being shot, is helped by Evan (Alex Roe), a farmer who seems to be a little more well trained than he should be. The two of them set off to find him, and soon find themselves involved with all sorts of trouble with Squad 53 and their fight against the alien incursion.

So, what’s it like? Well, it’s aimed directly at teenaged girls between 14 and 19, and whilst attempts to tell a hard hitting story, the elements to do with young romance, alienation and protection of one’s family that can be found in novels like the Twilight series and the Divergent series, water it down and ‘soap opera’ it far too much for it to be taken too seriously.

It does want to be taken seriously though, and there is very little levity (actually, after the invasion there is one moment of comedy that is more out of place than a Trekkie in a slave Leia bikini) and with the teen romance angle slipping in, it’s hard to do humour without losing credibility. The interesting thing though is it attempts to butch itself up by slipping in elements, and I kid you not, of Starship Troopers, and at a pinch, I’d suggest it may want to be Invasion of the Body Snatchers as well.

As with all of these teen films, it is the first of a trilogy (although if history is anything to go by, the last film will be multiple parts in its attempt to tie up loose ends), so there is a distinct feeling of untied plot strings.

It does, however, present itself very well. The film looks fantastic, is entertaining and the cast are likeable enough, but any adult who has watched more than two ‘earth invasion’ films will not find much original here.

Score: ***

Format: A modern day film on a digital format looks as one would expect: pristine. This Australian multi-region release of the film runs for 1 hour and 52 minutes and is presented in 16:9 widescreen with a DTS-HD Master audio 5.1 soundtrack. It also comes with a Digital Ultraviolet digital download. 

Score: *****

Extras: Big bunch of extras on this disc.

A commentary by Blakeson and Moretz who talk over each other a bit, but essentially provide a thorough film commentary experience.

Deleted scenes is what you would expect it would be. Nothing that will really be missed but there are a couple of set-ups that still have the pay-offs in the film, which never seemed out of place… Well, until now that I have seen the set-up. The real shame is Maria Bello’s cruel taskmaster didn’t end up getting some amazing scenes in the film.

There is a typical Gag Reel with amusing mistakes and hijinks.

Inside The 5th Wave is your typical, made-for-home-video making of piece. It’s not an intensive, in depth look at filmmaking, but some of the brief looks at behind the scenes stuff is pretty cool.

Training Squad 53 shows us how the young actors were trained to become Squad 53. It’s funny to watch young actors take on this sort of training as they really take to it as an adventure. 

The 5th Wave Survival Guide is a bunch of generic survival tips from the cast. This piece looks like an MTV interstitial or some such.

Sammy on the Set follows actor Zackary Arthur as he learns about filmmaking from the crew. It’s a nice easy to understand breakdown of what function each crew member performs on the set. If you have a young budding filmmaker in the family, this could be a good extra for them to watch.

Creating A New World is an special effects piece looking at the design of the slow degradation of the planet as the aliens start to pull everything apart, both from a CGI and practical effects point of view.

It says ‘Previews’ but it should say ‘Preview’ and it’s for the Angry Birds Movie, which is also how the disc opens, so…why?

Score: ****

WISIA: It’s a well shot and engaging film, but is obviously aimed at a teen market, which means it’s longevity will be dubious. It’s really aimed at the Hunger Games/ Maze Runner fans, so it’s good entry level scifi if you are trying to get your 16 year old daughter to watch stuff from your movie collection, but as an adult, you probably won’t watch it twice.

New Doctor Who Companion Announcement

Lovers of Doctor Who, REJOICE! Peter Capaldi’s Doctor has been charged with a new companion.

Congratulations to Pearl Mackie on her role as Bill, we look forward to seeing new Who starring you soon. Phew!

Here’s the official announcement from the Beeb via YouTube:

I like what I see, especially seeing as how Capaldi’s Doctor is at his best when frustrated!

R.I.P. Prince

For music fans, today is another dark day, just like the many we have had this year, as many great musicians pass, all before their time.

It was with a heavy heart that I woke this morning to read that master of funk and pop legend Prince has passed away.

I have always loved Prince’s music, and he is relevant to us here at The To Watch Pile as not only has his music, according to IMDB, appeared in 166 various movies and video games and TV shows, he also won an Oscar for the soundtrack to the film he also starred in as ‘the Kid’, Purple Rain.

More to the TWP’s scope though, was his music inspired by the best Batman film, Tim Burton’s Batman.

Rest in peace, Prince, and thanks for the music. It’s not only Doves that will be crying today.

Glass Doll Films Release Schedule

Australian newcomers Glass Doll Films have burst onto the scene with some really cool local releases of films like Eaten Alive, Dead Kids (reviewed here at The To Watch Pile a few weeks ago), The Centrefold Girls, Bonnie’s Kids and Christmas Evil all on bluray.

Monday 18th April 2016 will see another exciting release in store: cult classic Class of ’84… One of my personal favourites from the VHS age!

They have some amazing future releases as well: Ghoulies is coming out in July…

…and August will see a double threat release of Ghoulies II and Neon Maniacs!!

Cult movie fans will be stoked for those releases, and no doubt more amazing releases will be forthcoming!!

Glass Doll Films online store can be found at . Make sure you get behind another great local Australian company trying to make our DVD and bluray collections great! 

The Visit (2015) Review

One from the to watch pile…
The Visit (2015)

Film: There are two things in modern horror of which I am not a great fan. The first is the so-called ‘found footage’ style of filmmaking. Whilst I appreciate the intention of making films that try to make one believe that they are a part of the universe in which the film exists, I don’t actually appreciate filmmakers using that as an excuse for first person filmmaking, which I find to be amateurish and distracting… Even if that is supposed to be the objective.

The second great unlikable is post-Sixth Sense films by M. Night Shyamalan. I mean no disrespect to the director, but after the stunning debut of The Sixth Sense, I feel he has never again reached those heights, and whilst his films look beautiful and have competent acting throughout, the stories have never thrilled me, and let’s face it, the crux of making cinema is telling a story. If you don’t have a ‘good’ story to tell, you have nothing.

Somehow though, and I suspect pan-dimensional travel, these two much maligned ideals have come together in a film which I totally enjoyed. To be honest, I watched this expecting to be able to do a ‘I hate this film so much’ review, but can’t, as I loved the damned thing!!

The Visit tells the story of teenage amateur filmmaker Becca (Olivia DeJonge) and her younger brother, try-hard rapper Tyler (Ed Oxenbould) who are visiting their grandparents, from the mother’s (Kathryn Hahn) side, for the first time. The reason the kids have never met their grandparents is her mother is estranged from them after having a serious argument over her boyfriend whom they disapproved of her marrying, and she has never spoken with them since.

The marriage didn’t last however, and after the two kids were born he left, so it wasn’t long before the children began enquiring about their grandparents. Mum agrees to let them go visit on their own, and so our intrepid youngsters decide to make a documentary about meeting their grandparents for the first time.

This is where out ‘first person’ styled filmmaking comes in as the entire story is done from the point of view of the two cameras the children are using to film their documentary about meeting their estranged grandparents.

So the kids arrive in the small town and finally get to meet their Nana (Deanna Dunagan) and Pop Pop (Peter McRobbie) and all feel an immediate affinity for each other and the kids are informed of only one rule: bedtime is 9.30pm.

Over the course of the next few days, and through the production of their documentary, the kids find that maybe their grandparents aren’t quite the nice and normal old folk that they seem to be, and things steadily get stranger… Especially after 9.30pm…

Quite simply, this film is brilliant. Shyamalan has perfectly cast the movie with actors that you may recognise, but they certainly aren’t big name stars. DeJonge and Oxenbould play the kids with just the right amount of ‘kidness’ in their wide-eyed view of the world but still with that touch of maturity that teens have. Oxenbould’s attempts at rapping are as perfect as they are as embarrassing from a 13 years old claiming to want a future as a rapper. 

The real highlight of the film is the performances of Nana and Pop Pop: at no time do you really know what’s going on with them, and the quirkiness of their nighttime shenanigans will freak you the HELL out, that’s for sure!

The story has an air of creepiness that pervades every element, which is extraordinarily clever as you really don’t know why, but again it comes from the fantastic performances by all involved. The grandparents AREN’T quite right… Or are they? Are the kids that are over analysing their behaviour, or is this just the way old people behave?

Unlike most Shyamalan’s films, the ending doesn’t come as a plot twist that will have you shocked, but instead is a natural progression of the story that makes perfect sense and doesn’t just seemingly come out of nowhere.

The device of the kids filming never becomes a distraction as there is always story being told, and the kids are engaging enough that you enjoy them on screen. Plus we all know know that hand held recording has come along way since the Blair Witch Project days!

I thoroughly enjoyed this film, and really can’t recommend it highly enough… Even to those who have been bitten twice by ‘found footage’ and Shyamalan films.

Score: ****1/2

Format: A perfect looking region B bluray with no flaws, this film runs for 94 minutes and is presented in1.85:1 with a DTS-HD Master audio 5.1 soundtrack.

Score: *****


The Making of The Visit isn’t really a ‘making of’, but more a series of quotes from Shyamalan about why smaller movies are better, and how having a large budget corrupts filmmaking. It almost feels like he’s trying to convince us of why he has no A-Listers in the film, but I’m not sure why? Suffice it to say, none of the cast are interviewed and it’s really a vanity piece.

Deleted Scenes is a series of 10 short deleted scenes that wouldn’t have really added much to the film other than time, though a couple of them were a little creepy.

Alternate Ending is just that. It’s an interesting and heartfelt epilogue that may or may not have fitted the film; I can’t decide. It is a well acted piece though, and gives the underused Hahn an opportunity to really shine.

Becca’s Photos is a slideshow of picture the character has taken during her visit with her grandparents. I detest the waste of space on a moving image format of still images.

This bluray also comes with a digital ‘Ultraviolet’ download.

Score: **  

WISIA: I do like this movie but I am not sure if it has real repeat view value. Like of a lot these sorts of films though, upon a single rewatch, you do see some performance subtleties that mean something completely different after you have seen a film to the end.

Star Wars: The Force Awakens (2015)

One from the re watch pile…
Star Wars: The Force Awakens (2015)

Film: I am an unabashed fan of George Lucas’ creation. I was lucky enough to go to a preview as a child, taken by a friend of my mother’s. From day one I was totally in love with the Star Wars universe and very quickly my DC Megos and Micronauts were pushed to the side as my life was taken over by the phenomenon. (Well, occasionally Darth Vader and Luke Skywalker would team up against the villainy of Acroyear, but that’s another story). All through primary and high school, my obsession grew and I had comics, books, toys, shirts… You name it.

My love affair with Star Wars continued through the much maligned prequels, and honestly, I was NOT one of the ones who was a critic of them. Were they flawed, of course, just like many films, but even I, through my rose-coloured glasses, could see that if the saga was to continue, Lucas needed to let go of the apron strings and let his creation grow outside of the confines of his scope.

Thankfully, and I mean this sincerely, Disney took Star Wars off Lucas’ hands, and I say that because they are the only company with the access and capital to continue the franchise. Not to mention with their ownership of Marvel comics, Star Wars will end up back where it belongs when in an illustrated platform.

Disney have basically decided to flick all of Lucas’s ‘expanded universe’ and restart the entire concept using only the 6 movies as cannon, which means the universe is now as limitless as the world ‘universe’ would suggest.

So what did they do with their freedom? 

Cynical me would describe the synopsis like this: Secret plans are hidden in a droid which is then abandoned on a desert planet only to be found by a youngster who ends up on a ship owned by Han Solo and is taken to a rebel base and assists in a mission which will halt the expanse of the bad guys evil empire.

However when I pack the cynical me away into a space freighter and send it into the other end of the Galaxy, the Rabid Fan Boy of yesteryear is back… And I begin LOVING it!

Star Wars: The Force Awakens starts with resistance fighter Poe Dameron (Oscar Isaac) collecting some intelligence from the planet Jakku. When they are suddenly attacked by Kylo Ren (Adam Driver) and a task force from the First Order, he hides the information is his droid BB-8 and sends him away.

Poe is captured and the droid finds itself in the hands of Rey (Daisy Ridley), a scavenger abandoned on the planet who very soon teams up with a disenchanted First Order stormtrooper who has gone AWOL named Finn (John Boyega).

The pair of them quickly find themselves on an adventure together which involves them meeting up with with Han Solo (Harrison Ford), Princess Leia (Carrie Fisher), Chewbacca (Peter Mayhew) and many other familiar faces in The Resistance as they use the information held within the droid to find the one thing that may bring peace back to the galaxy.

I saw this film twice on the big screen, and honestly, I think I went in with a ‘No Lucas, No good’ attitude that coloured my opinion. The second time though I became enamoured by the new worlds that writer (and director of The Empire Strikes Back) Lawrence Kasdan and director J. J. Abrams presented us with, and I appreciated the fact that by making a film that emulated a story we are all familiar with it was easier for a new generation to understand whilst providing a vibrant fresh young cast that the current generation can identify with. The story overall has moments of great adventure carried with a lot of heart and a decent whack of humour too.

That same young cast are excellent. The trilogy of Ridley, Boyega and Isaac are as good as that of Fisher, Hamill and Ford and I am sure that cosplayers will be dressing like them in no time. That’s not to diminish the oldies either, as they reprise their roles with the same aplomb as they did over 30 years ago.

The villains are truly evil too. Driver plays Ren a selfish confused child perfectly, and his counterpart Hux (Domnhall Gleeson) plays the role of a disapproving older sibling, both vying for affection from their father figure, and commander of the First Order, Snoke (a CGI character character performed by Andy Serkis).

Speaking of which, the effects are truly a site to behold and I was totally in the film the whole time. I must admit to loving the fact that most of the vehicle battles took place within a planetary atmosphere, so just like when I was a kid with my Star Wars toys, a new generation will be able to play out their battles on the ground. 

The creature effects are spectacular too, and a fine combination of CGI and practical effects. SPFX nerds will go nuts.

As indicated, I have to admit the first time I watched the film I was fairly non-plussed. Don’t get me wrong, I enjoyed the film, but I wasn’t excited by it, and as a rabid Star Wars fan, that’s what I wanted. The second time though, I was right into it, and enjoyed it like I should have. Maybe I was apprehensive by the change of Disney controlling it, but now, I’m back in the co-pilot seat ready to fly another mission. Basically, these films ‘feel’ more like ‘proper’ Star Wars than the prequels as there is a comforting familiarity in it.

Score: ****

Format: This review was done on the Australian bluray which is region free. The feature runs for 138 minutes and is presented in an epically pristine 2.40:1 presentation with an immaculate 7.1 DTS-HD Master Audio, and from Disney’s most precious product, I’d expect no less.

Score: *****

Extras: A dedicated extras disc with heaps and heaps…

Secrets of the Force Awakens: A Cinematic Journey is a really cool documentary divided into 4 chapters looking at the entire process of the film, starting with Lucas’ handover to Disney going all the way to the actual production, showing many parts of the process. Seriously, movie makers have amazing military minds when it comes to organisation and I am constantly astonished by them, and maybe, wish I were one of them. The real cool thing about all 4 chapters is that all these new people working on Star Wars now have been fans since they were kids, and give it the reverence it deserves.

The Story Awakens: The Table Read isn’t so much the actual table read, but the cast and crew’s reflection of the reading. I hope on a future release, the full reading gets played. 

Crafting Creatures takes us to the creation of the physical creature effects. One of those cool docos for effects nerds.

Building BB-8 is exactly what it sounds like. The production and puppeteering of the incredible PRACTICAL effect of BB-8.

Blueprint Of A Battle: The Snow Fight looks at the sets, choreography and performance taken to produce the final lightsaber battle in the snow.

ILM: The Visual Magic of the Force is to CGI what the Crafting Creatures doco was to physical effects. That same nerd reflex kicks in if your interest is in CGI.

John Williams: The Seventh Symphony discusses one of my favourite aspects of film, and John Williams scores ARE Star Wars: this extra celebrates his contributions.

Deleted Scenes shows six deleted scenes, and they must have only been taken out for timing, because I can’t see any reason why they were removed, in actual fact, I demand a restored version right now!

Force for Change informs us of an initiative based around Star Wars fandom where donations can be made to charity via our combined love of the force. Learn more at .

I will have to also give the producers of the disc credit as the note about ‘commentaries by cast and crew not reflecting the corporation’ is shown once, under the ‘Info’ listing in the extras, instead of being a disturbing 30 second beginning of every extra.

The edition I have reviewed is a very sexy steelbook edition, which also comes with a digital download of the film, and a few inserts advertising various Star Wars consumables.

Score: *****

WISIA: Over and above any initial criticisms or smarminess I may have had towards this film, it’s Star Wars, and either I or my family or friends are going to trundle it out, just like the other 6, whenever we don’t know want to watch, and the excitement level and affection will constantly be present.

Intruders aka Shut In (2015) Review

One from the to watch pile…
Intruders (2015)


Film: Today is the day that I have to admit to the crime that separates a movie connoisseur from a horror movie hoarder. The thing that separates the highbrow champagne film critic from the lowbrow, beer skulling scumbag who is looking for the next film that he can cringe at whilst someone cops a claw hammer to the head.

Occasionally, I buy movies based on the picture on the cover. Even worse, this cover wasn’t a cool Roger Corman 80s schlock flick… It’s a modern, post-millennium, photoshopped cover.

Yes, I am hanging my head in shame.

I found this cover evocative though, and in my defence, like most ‘good’ items used to promote a film, it has very little to do with the story.

This film is the first feature film for director Adam Schindler, who is previously known for writing the 2013 horror film Delivery, and is written by T.J. Cimfel and David White, who previously worked together on V/H/S/ Viral.

This film is also known by the far better title ‘Shut In’ which certainly is more in tune with the story rather than the less interesting, and easily confused with the Clive Owen pic ‘Intruders’. I just don’t get why movies with good names get them changed when released in different countries/ regions.


Intruders tells the story of Anna Rook (Beth Reisgraf), an agoraphobic who has been taking care of her sick brother, Conrad (Timothy T. McKinney), who is suffering with pancreatic cancer. Her only real contact with the outside world are their lawyer, Charlotte (Leticia Jimenez) and a homecare meal delivery man, Dan (Rory Culkan). 

Tragically, her brother dies and due to her psychological disorder, she is unable to attend his funeral, and she hides inside from the outside world. Unfortunately for Rose, staying at home on a day she was supposed to be out was plain old bad luck, as a gang of three decide to rob the house as they have heard of money hidden within.  

What these intruders don’t realise is that Anna and her brother have a secret that they keep in the basement, and for their own good, it would be better if they stayed out…

Essentially the film is a combination of seventies home invasion films with Home Alone, but in this film, Kevin McAllister is replaced with a sexy, blonde female 20-something year old, and maybe, if I were the type to be a spoilerer, I’d suggest their to be just a drop of Saw.

I really liked this movie, and considering I knew nothing about it, was very pleasantly surprised. The intruders were great in their different levels of menace, though they may have watched Panic Room for inspiration, and Reisgraf’s performance remained delicate as her character reacted to misfortunes placed in her lap, even when it caused her to become aggressive  

Rory Culkan, on the other hand was the unfortunate exception. He plays his role like an actor playing an unpleasant, sarcastic nerd from an 80s teen comedy, but who has the memory of a goldfish and has to read his lines off a large piece of cardboard held up by an assistant director. I’d say this is an example of nepotism running rife in Hollywood, but how much pull older brother McCauley Culkan has I imagine would be dubious.

One other thing I definitely must point out with this film is that their are several elements within the house that require fairly large leaps of faith to believe that just two people could have set up. It’s difficult to properly explain exactly what I mean here without spoiling massive elements of the film, and I don’t wish to do that, but basically if you can believe the one-man-show aspects of some horrors and thriller antagonists, you should be OK.
I really liked this modern take on the 70s styled home invasion film, with the agoraphobic element thrown in as the first of a couple of twists… Not M. Night Shyamalan styled story-altering twists, just little tweaks. The quiet elements are balanced nicely with with the acts of violence, and fans of budgerigars be warned: this film contains scenes that may cause you to sit in your aviary and rock backwards and forwards for a few hours.
Score: ****

Format: A modern film in the digital format has no excuse for being bad, and this film looks great! The version watched was the Australian region B bluray which runs for 90 minutes and is presented in 2.40:1 letterbox and has a perfect DTS HD 5.1 audio track.

Score: *****

Extras: None.

Score: N/A  

WISIA: I don’t think Intruders is going to make its way to the rewatch pile, even though it was a pretty good movie. Like a magician teaching others his tricks, once you know the secret, the interest diminishes. I will add that some of the dialogue between Anna and Conrad has a different meaning once you have seen the film, so it’s possibly worth one do over just for that.