One from the to watch pile…
We Are Still Here (2015)
Film: I don’t believe in ghosts or the supernatural. I don’t, which may be unusual for a fan of horror movies but because of this, a ‘ghostly’ horror movie has to be REAL good to either engage me or get a reaction from me. In general, the western output of these types of films, the ‘post-millennial ghost story’ if you will, hold very little interest to me. You know the ones: the Conjuring films, the Insidious films and their ilk, the ones that desperately try to emulate the j-horror movement of the late 90s/ early 2000s… the ones that try to put a fear of the supernatural into a generation that don’t believe in anything, and considering everything they do has to be filmed as proof, not even each other.
This film, We Are Still Here, feels very much like a film from another time and doesn’t seem to relate to those modern films at all. I imagine writer/ director Ted Georghegan, writer of Sweatshop and co-writer of Andrea Schnaas’ first English language film, Demonium, is much more a fan of of those earlier horror films as this feels like a European thriller, and maybe he does wear it a little more on his sleeve when you consider the scotch the characters are drinking is B&J Scotch, an obvious tribute to the J&B Scotch labels frequently seen in 60s and 70s giallo.
We Are Still Here tells of the Sacchetti family, Anne (Barbara Crampton) and husband Paul (Andrew Sensenig) who have moved to the country into a house that has been empty for 30 years, to escape the memories of their son who died in a car accident.
In the first two weeks they live in the house though, weird things start to happen. There’s an odd smell of smoke, the basement is always hot, and the townsfolk have a strange story regarding the history of the house and the original occupants.
Anne invites their son’s friend, Harry Lewis (Michael Patrick Nicolson) and his parents, May (Lisa Marie) and her husband, Jacob (Larry Fessenden) to visit, as May is a psychic and she may be able to contact what Anne thinks is the boys spirit… but May detects something darker, something that the town needs to feed once every 30 years….
If I’m totally honest, the thing that attracted me to this film was mainly Barbara Crampton, an actress I’ve adored since seeing her… a LOT of her… in my favourite film, Re-animator, and I’m willing to give anything she is in a go… well, except maybe for The Bold and the Beautiful.
This film was surprising in every way. The story was surprisingly good. The acting was great, the cast was a good mix, and the gore was totally unexpected. I won’t say I thoroughly enjoyed it, but it certainly is one of the better ghost stories I have seen in the past 20 years, but that may be due to the film deliberately being set in the late 70s/ early 80s.
Essentially it’s a pastiche of Fulci’s House by the Cemetery and A Nightmare on Elm Street that really works.
Format: This film was reviewed with the Australian Bluray release which is presented in a perfect 2.35:1 image and a matchingDolby 5.1 audio.
Extras: There is a bunch of trailers on this disc for other Áccent releases, such as Late Phases, Jug Face, In Their Skin and Static, as well as one for this film.
There is a short extra called We Are Still Here: Building A Haunted House which discusses the foundations of the story and making of the film.
There is also a commentary by Georghagen and Producer Travis Stevens which is interesting as it’s a proper ‘making of films’ type commentary.
WISIA: It was great, so yeah!