Cold Eyes of Fear (1971)

Cold Eyes of Fear aka Gli Occhi Freddi Della Paura (1971)

The cover to the Black House release of Cold Eyes of Fear

Film: Sometimes, if you have an extensive movie collection, a movie may just seem to appear like some kind of Pokémon. Recently, I’ve been cleaning up my various collections of movies, records, comics, magazines etc and in the course of that have discovered a whole pile of movies that I had either forgotten I owned, or couldn’t remember how they became a part of my collection.

This film, Cold Eyes of Fear, is directed by Enzo G. Castellari, the man who gave us films like the original version of The Inglorious Bastards, and one of my favourite VHS to hire as a kid, 1990: The Bronx Warriors. This film was written by Castellari, along with Leo Anchóriz, and Tito Carpi.

Peter (Gianni Garko) makes a move on Anna (Giovanna Ralli)

Cold Eyes of Fear tells of solicitor Peter Bedell (Gianni Garko) who leans quite heavily into the sleazier parts of town, much to his uncle’s (Fernando Rey), who is a judge, despair. On the night we start our tale, Peter meets a young woman, Anna (Giovanna Ralli) at a Grand Guignol club and takes her home.

Unfortunately for the couple, when they get back to Peter’s house, they find themselves held prisoner by Quill (Julián Mateos), a crook who has invaded their house in a hope to score some money from a safe he has been assured is in the house by an accomplice.

There is some back and forth going on until the accomplice, Arthur Welt (Frank Wolff) turns up and all of the sudden the game gets more involved as we find that perhaps Welt’s motivation is greater than money…

Welt (Frank Wolff) considers making a move on Peter… a violent move!

I was quite surprised by this film. The opening scene is a classic bait-and-switch me is the sauciest the film gets. The main part of the film, the home invasion, is overlong, but is just intriguing enough that it kept me watching.

Interestingly it is an extraordinarily small script with minimal that without some of the fluff (like the aforementioned opening scene) I could almost believe that this is a stage play adapted to the screen, like something like The Bad Seed was. Thankfully, Castellari keeps the whole thing interesting with some claustrophobic filming and some over the top performances that somehow make the spaces even smaller.

One this that stood out for me, and this is going to seem strange, but Garko’s hair was almost a character unto itself. The more he was roughed up, the more bizarre the mop on top of his became. It’s quite a special thing.

The main criticism of the film is it just goes on for FAR to long. It honestly could have been a really tight story told in 45 minutes, but cinema cannot be that short. It does entertain for the most part though.

Score: ***

The menu screen of the Black House release

Extras: There is trailers for five Jean Rollin films on this disc, for Fascination, Lips of Blood, The Iron Rose, The Nude Vampire and The Shiver of the Vampire.

Score: **

WISIA: I can see myself watching this again, but not for a while.

Peter’s very serious uncle (Fernando Rey)

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