Night Killer (1990)
Film: By the time the 80s had ended, there was a big problem with horror movies. Very few big movies were made as that one shot scare film because studios wanted not quality cinema, but that dreaded word that is banded around in this world of Marvels and Star Warses: ‘the franchise’.
It was our fault! We fell so in love with the big characters of the time: Freddy, Michael, Jason, Norman, Leatherface and others that the problem was one WE created, and as expected, every studio, instead of trying to be trailblazers, decided to take the weaker path of least resistance and they all just tried to come up with another franchise character.
The want of a franchise wasn’t just an American thing either, it existed in some countries, like Italy, where they would occasionally just bash a film together, and then whack a sequel used title on it to market it as one of those franchises, and why not? If we, the movie watchers were silly enough to spend our hard-earned on it, why not live the motto ‘a fool and his money are easily parted’.
That manipulation of moviegoers has been going on for years, and the retitling of films to expand its release opportunities was rife all over, and for much longer than in the 80s, and this film, Night Killer, also known as Non Aprite Quella Porta 3, which means Don’t Open the Door 3, shows that even entering the 90s, it was still happening, especially considering that name suggested it was a part of the Texas Chainsaw Massacre series, called ’Don’t Open the Door’ there.
The plot clearly has nothing to do with the TCM series, as it’s tells of a masked killer (described erroneously in various online media as ‘a Freddy Krueger’ mask – it’s definitely not) who is killing women in the city, but one, Melanie (Tara Buckman) has survived and may be the secret to solving the case.
After the attack, of which she has no memory, she becomes self-destructive and wishes to commit suicide, but a total bullying douchebag of a man who tried to pick her up, Axel (Peter Hooten), witnesses her attempt and saves her, only to keep her imprisoned in his house himself.
Meanwhile, the killer , full of bravado, continues his killing spree,but will Melanie’s memories come back and help with the investigation, and what is Axel’s secret… is he really what he appears to be?
The director, Claudio Fragrasso wanted to make a film that mixed the slasher and giallo sub genres of horror together but wanted it to be less a girl film and more a thriller. This, as is the old story, was not what the producers wanted so they hired Bruno Mattai to drop in some gore inserts and then instead of using Fragrasso title of Night Killer, they attempted to incorporate it into the TCM series, as I stated earlier.
I don’t think the gore scene are out of sorts within the film though, what is a problem is the absolutely shocking performances by the leads. There is only seven cast listed and I imagine it might be because the rest were embarrassed to allow their name to be attached to it.
The plot is mostly nonsense, and I’m not saying that I necessarily thought that a slasher from the 90s was going to be a plot driven masterpiece, but this is a mess that feels like the writer wanted to do a film version of Steven King’s Misery/ Gerald’s Game in a fairly sub-standard giallo-esque film, all the while attempting some kind of psychological hoo-ha about guilt, suicide, amnesia and maybe even Stockholm Syndrome.
I mean, I’m no psychologist myself, but it all appears to be surface level, unresearched bollocks.
Amongst of all that it wasn’t such a bad watch. It probably says more about me than I want it to, but amongst the gore and the misogyny and even the bad acting and stupid mask, I can honestly see this becoming a part of my regular rotation, even though it does have an even dumber, Brian DePalma Carrie ending that should have been cast into the ‘ideas that are stupid’ bin.
Extras: Only three extras on this Severin release, and the titles of them all tell exactly what the contents of the extra are. The first two extras, The Virginia Claw Massacre – Interview with Director Claudio Fragrasso and Mindfuck – Interview with Screenwriter Rossella Drudi each discuss the various production and behind the scenes tales of the film.
There is also the trailer for the film.
WISIA: It’s just weirdly bizarre enough for me to watch it again. Yeah, it will get rewatched.