Monthly Archives: August 2022

The Girl in the Spider’s Web (2018)

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The Girl in the Spider’s Web (2018)

The cover to the Australian Bluray release

Film: There is no doubt that Lisbeth Salander is a character who sits in my top 5 favourite female characters of all time (for transparencies sake, the others are Lara Croft from the Tomb Raider video games, Iden Versio from the Star Wars based video game Battlefront 2, Black Canary from DC Comics and She-Hulk from Marvel comics… Jean Grey from the X-men and Power Girl from DC comics follow close behind), and I have thoroughly enjoyed her character in pretty much well every incarnation I have seen of her, from comics to film to TV… but even though I like this film, I’m not quite sure that Claire Foy, a wonderful actor, was perfect for this role.

After seeing Roony Mara and Naomi Rapace in this role, I found Foy, who is wonderful in The Crown TV series as Queen Elizabeth II, to not be a physical match for the other actors, and I found her to be slightly unbelievable in the role. Another case of this from a film a few years earlier was Terminator Genesys, where Emilia Clarke from Game of Thrones was thrown in as the ‘new’ Sarah Conner, but again couldn’t match her physicality.

Before anyone calls me out of this as being sexist I would like to point out it has nothing to do with sex. Sometimes a role requires a particular physical attribute to perform a role. Even though I like Tom Cruise’s Jack Reacher films, I am not quite sure that he accurately portrays the character as defined by the book. I also wouldn’t like to see characters like Conan or John Rambo played by Tom Hanks at any time in his career.

Sometimes a look defines a character, and film being a visual art form, that requires a degree of accurate portrayal. Foy’ s physicality is perfect in the Crown, but for the role of Lisbeth Salander, I’m not so sure. That’s not to say she didn’t play the part well because she did, but I had trouble visually believing her.

Anyway, this film, the second in the English versions of the Millennium tales, is based on the novel by David Lagercrantz, who wrote this book after the character’s creator, Stieg Larsson passed away, and the script is by Jay Basu, who also wrote the Monsters sequel, Monsters: Dark Continent. The film was directed by Fede Alvarez, who previously gave us the Evil Dead remake and Don’t Breathe, two films for which I have a great respect.

Our story tells the continuing adventures of hacker, Lisbeth Salander (Claire Foy), who this time has been employed by Frans Balder (Stephen Merchant) to retrieve a program he created called Firefall, which is able to activate the world’s nuclear weapons, believing is too dangerous to be ‘owned’ by the NSA.

Lisbeth (Clare Foy) in vengeance mode

Whilst making the attempt, Salander gets the attention of NSA agent Edwin Needham (Lakeith Stansfield), which become her first problem. Her next one is the mercy who try to get the program from her, which makes her miss her meeting with Balder, causing him to think she is keeping it for herself. He contacts Crane (Synnøve Macody Lund) who puts him and his son August (Christopher Convery).

Very quickly, in twist after twist, the programme is being transferred from one set of hands to another, Salander finds there is a mastermind pulling the strings, her very own sister, Camilla (Sylvia Hoeks), who has a very personal agenda against Salander.

For the most part I like this film. The story is engaging and it’s full of Bond-like action and twists and turns in the tale, but unfortunately, Foy, a wonderful actor, is disastrously miscast. Both Rooney Mara and Naomi Rapace looked like hardasses who had seen, and experienced, far more than their years would suggest, but Foy looks more like a cosplayer doing a cutesy version of the same character for Dragon Tattoo-con. It’s such a shame that the focus of the entire story, and this is more a story about Salander than about something she’s involved in as an interloper, has an actor who’s not quite right in the lead role.

Balder (Stephen Merchant) cops one in the eye

In Foy’s defence though, the choice of Sverrir Gudnason as Mikael Blomkvist is just as flaccid, so they make a great pair. I am comparing him to Daniel Craig’s performance in the American-made Girl with the Dragon Tattoo so maybe that’s not fair.

This even reflects in the design of the film. The characters all have some amazing outfits, especially the red suits that Hoeks gets to wear, but Foy’s outfits just look off the rack, instead of the almost gothic battle outfits the previous actors wore. The rest of the film design is wonderful as well. Alvarez has managed to make a film that’s so cold and wet looking you’ll need a blanket and a towel to watch it.

Speaking of Hoeks, her portray of Camilla Salander is as villainous as they come, and she feels more in control and a better all-round villain that every one of Daniel Craig’s Bind villains except for Mads Mikkelson’s La Chiffre. Whilst on cast, I was surprised to see Stephen Merchant in a serious role, something I’m not sure I’d seen him in before.

A few years ago, I was on a podcast where myself and the others there discussed our favourite characters of all time, be it comic, movie, book or whatever, and Lisbeth Salander was my number one as I have a real love of the character. This film is a good one, with one key piece of miscasting that causes it to fail somewhat.

A missed opportunity is the worst kind of fail.

Score: **1/2

Australian Bluray menu

Extras: Disc opens with trailers for Searching…, Venom and weirdly, the special features of the disc itself… ok, then…

Commentary with Director Fede Alvarez and Screenwriter Jay Basu which is a fascinating look at the story origins and what they took from David Lagercrantz’s novel.

Deleted Scenes, as I always say: the film was better off without them.

Claire Foy: Becoming Lisbeth is a discussion about Claire Foy’s portrayal of the character, and how it contrasts with her portrayal of the ‘other’ Elizabeth, Queen Elizabeth II in the TV series ‘The Crown’.

All About the Stunts talks about the stunts, focusing the the big car crash, the motorbike on the ice scene and a car chase. Each section seemed to focus more on the effects used so I’m not sure what this extra was about at all.

Creating the World: The Making-Of talks about how the decision to break out of Larsson’s Millennium trilogy and into the new stories felt like a better idea than to remake the Swedish films that were already very popular.

Secrets of the Salander Sisters looks at the characters and portrayals of Lisbeth and Camilla and the difference between our antagonist and

Previews, which takes you back to the previews at the beginning of the disc.

Score: **1/2

WISIA: I will because it is a part of the Lisbeth Salander stories, but under protest!

Salander escapes across a frozen lake on her motorcycle

This film was reviewed with the Australian Bluray release.

Zombie Fluxx

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Zombie Fluxx

The wonderful cover to Zombie Fluxx

My wife is not really a game player, which is a bummer because I own over 500 games! She does have a few she enjoys, like Lords of Waterdeep (a Dungeons and Dragons worker placement board game) and Scopa (a traditional Italian card game), for example, but in general she’s difficulty to please with card games.

It’s especially frustrating when you set a big game up and by the end of turn one she might say,’ nope, I don’t like it.’

What is funny about playing with my wife is how she learns rules. Her only question is always, ‘how do I win’ and then she observes how the turns go and follows everyone else’s lead.

Introducing her to the card game Fluxx was hilarious, because at the beginning, you don’t know how to win.

Fluxx is one of those games that is a great game by itself, but has several ‘re-skinnings’ that incorporate various themes into its basic gameplay, which is that you start with three cards, you draw one card, and play one card… unless another card in play tells you to do something different.

In the game, you have various types of cards:

New Rules are cards that can change the basic rules of the game, like draw 4 (instead of draw 1), Hand Limit 2, which means if you have had to draw 4 cards, then played 1, you have to discard cards until you only have 2, or Double Agenda, which tells you that there are two goals to choose from… but what are the goals?

Goals are how the game ends. They will feature two keepers, like one called We’re All All Right, which makes the win conditions that you need two ‘friends’ as keepers. The goals can change during the game though, so play as many keepers as you can.

Keepers are cards that you keep in front of you which may lead you to a win condition, but some goals claim you must have no zombies as keepers, which is difficult… but zombies can be removed…

Creepers are keepers you play immediately with no exception. You can win with a zombie in front of you, so you need to be looking for weapons cards to get rid of them.

Actions are basically cards that you play, and do whatever they say, the results usually being to your advantage.

Play continues until one play is able to complete the goal a card is offering, and this can be done by have the appropriate keepers, or even playing a goal card that allows you to win.

The artwork on the cards is very much of the standard Fluxx type, but it is function and the zombies are appropriately zombie-ish. This game also has the option of removing the zombie related cards so it can be played as a regular game of Fluxx.

It’s a very simple game, and this one’s horror theme isn’t a game that drips the horror genre, but it’s fun enough, and easy to play and can be enjoyed even by non-gamers like my wife!

Score: ***

Paranormal Activity (2007)

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Paranormal Activity (2007)

The Australian release on Bluray of Paranormal Activity

Film: Oh boy, do I hate found footage films.

To me, they are the reality TV of cinema. Lazy, cheap and boring filmmaking that require ridiculous reasons for there to either someone with a camera or a camera remotely set up; this became most evident as this particular series of films rolled on.

The Blair Witch Project is a fairly shoddily-made, uninteresting film that created a hubbub around its release by duping people into thinking it was real. In terms of it being a piece of marketing brilliance, I can’t deny that, but once the magician’s trick, ie that it wasn’t real, was revealed it immediately lost all of its power. I find it interesting that movies are allowed to get away with this so-called marketing. They basically told us it was a documentary and it wasn’t; usually if a company made false adverting claims like that it would be the end of their career.

Micah (Micah Stoat) got a new video camera

This film was written and directed by Oren Peli, who also directed 2015’s Area 15, and has acted as producer on all the Paranormal Activity sequels (of which there are several).

Paranormal Activity starts with a thank you to the families of the main characters Katie (Katie Featherstone) and Micah (Micah Stoat) and the police department for supplying them with the video tapes of the mysterious case surrounding the events of the film.

The film starts with day trader Micah and his brand new video camera as he decides to fill his days with filming his and Katie’s lives together, but something as awry. As the filming continues, Katie and Micah discover through looking back over recordings made of themselves asleep, that there might be something in the house with them… something malevolent… something that doesn’t appreciate a psychic investigator, or Micah’s amateur attempts with a Ouija board.

Quickly things escalate and we discover that maybe whatever it is may have a secret locked in Katie’s past..

Katie (Katie Featherstone) is really impressed with Micah’s new camera

Ok, so I have displayed my opinion of these films in my introduction, but this film has a couple of things going for it. One is the cast. Katie and Micah make for a realistic couple which is what really sells the ‘found footage’ style of the film. The other is the way their characters are written, and the way their relationship starts to dissolve as the events of the haunting become more intense.

The problem I have with this film is that it is a party trick. The entire film has no soundtrack, unless you count the occasional guitar plucking that Micah does, but what it does do is plays a very low hum anytime something ‘scary’ is about to happen, and it’s very low, so you don’t just hear it, you kind of feel it too. Most films do something similar, but they also have a score as well. This has silence, and then the creeping ‘ommmmmmmmmmm’ whenever its going for scares.

Scorsese claimed that Marvel made theme park rides rather than ‘proper’ cinema, and if that’s true, ‘found footage’ films are bad VR experiences like the ones you would have played in a Shopping Centre at $10 for 5 minutes.

To its credit, this disc does have two versions of the film on it, the theatrical version and an ‘alternate’ version, which is the same film, but with the last minute being different… the problem being that different ending can also be seen in the extra titled ‘alternate ending’ so why have them both here. Weird choice.

You may ask why I own this disc then, if I hate it so much, but that’s has a very simple answer: my wife digs these films and she’s not a fan of horror, so if the opportunity comes to watch a horror film with her, I’ll take it, even if it’s one I don’t like.

Score: *1/2

The Australian menu screen

Extras: There’s only two extras on this disc. The disc also starts with a trailer for Nowhere Boy, before hitting the menu.

Alternate Ending is pretty dumb and I’m sure the filmmakers are glad they didn’t go with it, otherwise Katie wouldn’t have been able to show up in sequels.

Paranormal Activity fans is one of the dumbest extras I’ve ever seen. It’s one of my most hated things, a stills gallery, but of people who must have submitted photos of themselves to appear on the home release? I feel like I’m owed 6 minutes of time for wasting it watching crap like this for a review.

I would have given the extras at least one star for the alternate ending, but the ‘Fans’ extra is an absolute insult unless you are one of the ‘lucky’ people who are on it.

Score: 0

WISIA: Straight back to the bottom of the rewatch pile it goes, and stays.

The psychic

High Rise (2015)

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High Rise (2015)

The cover to the Australian Bluray release of High Rise

Film: I used to read a real lot, but just because time sometimes gets away from you, I don’t read anywhere near as much now. I used to read a big variety of stuff, from classics to modern horror, but somehow, the works of J. G. Ballard somehow missed my grasp.

After watching this film I have decided that that is something I need to rectify!

Ballard wrote challenging and disturbing work apparently, dealing with psychology, mankind’s relationship with technology, the media and sex… it’s always about sex! This film, High Rise, was based on his 1975 novel based of the same name.

Tom Hiddleston up to mischief in High Rise

This film was directed by A Field In England’s Ben Wheatley who just brings the most stunning eye to the story, making it a film that seems to be about the future, but setting it in what looks to be 1975, when you consider the fashion, the liberal smoking practices and the fact that SOS by Abba is referenced twice through the film. The adaption of the story was done by regular Wheatley collaborator Amy Jump, who also worked on A Field in England, and Kill List.

High Rise tells of Robert Laing (Tom Hiddleston), a teacher of physiology who has moved into the 25th floor of a 40 story high rise after the death of his sister. He quickly befriends Charlotte (Sienna Miller) who lives on the floor above and Wilder (Luke Evans) who lives on one of the lower levels with his wife, Helen (Elizabeth Moss) and their children.

The building, situated on the outskirts of London, is one of five building which have a massive car park separating them. The architect of the project, Royal (Jeremy Irons) lives on the top floor of Laing’s building in a lavish apartment with an almost countryside-looking terrace, with his spoiled wife Ann (Keeley Hawes). Royal’s building has all the amenities a building would need to be self contained: a school, sports facilities, a shopping centre but with everything within reach, why would one after bother to leave?

Sienna Miller as Charlotte, who is NOT enjoying Wilder’s affections

After accidentally causing a tenant to commit suicide, by pretending a brain scan came back with cancer, Laing starts to believe that Royal has paid off the police so they won’t investigate goings on in the building, and as a cycle of power outages, garbage piling up and food becoming difficult to source, the people of the lower levels start rising up against those of the upper levels, and violence, rape, assault become the norm.

Very soon, a full scale class war begins, but who will survive…

I bought this film several years ago and it has sat unwatched in my, you guessed it, To Watch Pile and I’m sad I didn’t get to it sooner. Wheatley’s direction is dreamy and intense at the same time, Jump’s script is solid and profound and the performances are just fantastic. I would almost go so far as to say it’s one of the best cast films I’ve seen in a long time. If you like the ideas proposed in the movie/ TV series Snowpiercer, or even Doctor Who’s Paradise Gardens, you should enjoy this.

Super solid film that’s made me excited about watching it again, and even has opened me up to a new author to obsess over: what else would one want?

Score: ****1/2

The menu screen for the Bluray release of High Rise

Extras: There is only one extra but it is a fantastic little 15 minute look at the making of the film. It left me wanting much more.

Score: ***

WISIA: Oh yes, there will be more views!

Yikes! One can almost see Hiddle’s Diddle!

Selfish: Space Edition

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Selfish: Space Edition

Selfish: Space Edition from Ridley’s Games

Winning.

It’s why we play games, right?

Who cares about sportsmanship and fair play when you’ve got blood on your claws and the taste of victory in your mouth!

I can honestly say that once of the best things that’s happened to me whilst playing a board game was after executing a particularly cut-throat move while playing Food Chain Magnate, which is an absolute BASTARD of a game, my daughter said to me, ‘ how could you do that? I’m your daughter?!?’

I told her that as her father, my job is to teach lessons, and this one was ‘trust no one’.

A game set up and ready to play

We are pretty competitive in my house with board games, to the point that when my wife sits down to play a game, she doesn’t ask ‘how do we play?’, her first question is ‘how do I win?’ (which made for a hilarious rant when we played Fluxx). That’s not to say we don’t have fun playing co-op stuff, but as long as my wife is leading the charge, all is good.

This game, Selfish: Space Edition (there’s also Zombie, Star Wars and Disney Villains editions), from Ridley’s Games is a perfect game for a family who enjoy being a little bit ruthlessness!

This card game has a concept that is quite simple: you are an astronaut trapped in the darkness of space, and you need to move the six spaces it takes to get back to your ship, which would be fine, but you only have six canisters of oxygen and it takes two to move, AND you have to finish on the ship with at least one canister left, and if my maths is correct, that means you are already in an oxygen deficit.

Have no fear though, dear space person, what you do have is a bunch of horrible things you can do to other players like siphon their oxygen, or shoot them with a laser to send them back a space!

The cards even have threats on the back!

Gameplay is really simple: on your turn you draw a card, then, if you wish/ can, play as many action cards as you wish, which will make your opponents lives miserable unless they can reply with a ‘shield’ card, and then you have to make the decision on whether you stay where you are, costing one oxygen, or travelling one space, costing two oxygen.

Moving faces it’s own challenges though, as space is a treacherous place, and every time you move onto a new space space, you may face things like Cosmic Radiation, which steals an oxygen from you, a Solar Flare, which stops you from doing any actions while it is immediately behind you. It’s not all bad though, Useful Junk let’s you draw an extra card, potentially getting more oxygen, or Wormhole allows you to swap places with another player, potentially getting forward a little bit.

The threatening space cards

Each game only lasts about 20 minutes, but it’s SO easy to set up and play, that it even has a minimum age of 7 as it’s suggested age range. The art is simple, but still engaging and the ‘dead astronaut’ cards are both funny and kind of sad.

We have a lot of fun with this game, and I possibly will buy some of the others as there are minor changes depending on which game, for example, in the zombie one, the dead players return as the undead! I have little knowledge of the others so I can’t comment on them, but I could always do with more games!

If you are having a games night, this is a great entree game or wind down game. Simple to learn, fun to play, but it doesn’t have a great deal of substance… still, seeing someone one space away from winning and running out of oxygen is a guilty pleasure, especially if you have a spouse as focussed on winning as mine is!

Score: ***1/2

A game in full play!

Undead (2003)

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Undead (2003)

The cover to Umbrella’s Beyond Genres release of Undead

Film: As far as horror is concerned, the early 2000s can be defined in two sub-genres: j-horror and zombie movies.

It was truly like someone had turned on the tap for wet-looking Japanese ghosts, blue filters and the undead… or in this case Undead.

The Americans and the English were all over the zombie sub-genre, and we got lots of stuff like Zach Snyder’s remake of Romero’s Dawn of the Dead, Romero’s second, less-successful zombie trilogy of Land, Diary and Survival, Paul W. S. Anderson’s movie version of the video game Resident Evil (and it’s sequels), Edgar Wright’s Shaun of the Dead and Bruce McDonald’s Pontypool. Zombies became so popular that they were everywhere and in everything!

Our heroine, René (Felicity Mason)

The Australian writer/ director team, The Spierig Brothers (Peter and Michael) came together to make a film based on their home movie trilogy Attack of the Undead, and what they gave us was quite revolutionary.

Undead tells the story of a small town in Australia that has meteors hit, and cause an outbreak of zombies in the town! A small group of people, including the local gun shop owner Marion (Mungo McKay), a former beauty queen, René (Felicity Mason), local cops Harrison (Dirk Hunter) and Molly (Emma Randall), current (and pregnant local beauty queen Sallyanne (Lisa Cunningham) and her boyfriend Wayne (Rob Jenkins), do their best to survive the night, but zombies don’t seem to be their only problem.

A giant steel wall has encased the town, rendering it inescapable, and a weird rain that causes them to smoke also starts descending… and what are those strange lights seemingly abducting people in the sky…

A little girl zombie well before The Walking Dead did it

Undead starts as a fairly familiar zombie story, but we are well and truly shown why the dead are returning to life. To top that off, is we are also presented with a solution that at first appears to not be that at all. It’s very clever and a nice complete story that doesn’t end with a continuing threat of an apocalyptic future, or the lead players all just getting killed by circumstances.

The story has a lot of fun and comedic elements and easily one of my favourite lines from a movie comes from this film, spoken by Dirk Hunter in a scene where the survivors are defending Marion’s house from the undead… you’ll know it when you hear it… and situationally, some of the comedy is pretty funny too.

This is a part of Umbrella Entertainment’s Beyond Genres collection and has another amazing cover by Australian artist Simon Sherry.

I loved this film when it first came out, but unfortunately, it just hasn’t held up. It’s very Australian so the power of cultural cringe is high, but that honestly is part of the comedy of it, so it’s not why my opinion has changed. I think it may be because when I saw this film I had aspirations of making movies myself, and I was more impressed with their tenacity to get this film made. Now that I don’t have those aspirations I’m not as interested. It’s still a tribute to the brothers’ inventiveness, but I’m more interested in the actual story than the story behind it.

I do admit the triple barrelled shotgun is still really cool.

Score: **

The menu screen to the Bluray release of Unded

Extras: A great collection of extras that were previously available on the DVD release of several years ago, which include:

Audio commentary by directors Peter and Michael Spierig with cinematographer Andy Strahorn and it’s a good commentary for young independent filmmakers to watch to get the idea of how hard making films can be. A very interesting commentary indeed!

On the Set of Undead is literally just that; some behind the scenes footage of how the film was made, with an occasional bit of introduction by some of the cast and crew.

Attack of the Undead – a Short Film is the first from there indie trilogy which includes Attack, Rampage and Massacre of the Undead. It’s silly and dumb and exactly what you’d expect from young filmmakers.

The Making of Undead looks at the making of the film and where the Spierig’s inspiration came from, which as you expect, was from $1 horror hires from the local video shop.

Home Made Dolly Video is what independent filmmaking is all about. Ingenuity and desperation and making the most of your skill set for the result you desire. They show the design and process of how they built a dolly crane, and in a way that can only be described as ‘dinky-di’, how they welding it with no shirts on. Tough buggers.

Undead Camera and Make Up Tests looks at how the zombie make up and how it would look under various light sources and types.

Stills Gallery is photos… like in a book. Go buy a book instead of wasting your time watching this. Slideshows are boring: didn’t your grandparents holidays teach you anything?

Theatrical Trailer is exactly what it says on the box.

The Umbrella Beyond Genres release also comes with a copy of the soundtrack on CD and I love me a soundtrack!

Score: ****

WISIA: When this first came out it was a definite rewatcher for me, but it’s hasn’t aged well, so not anymore. This will probably be my last watch.

More dead people

This movie was provided by Umbrella Entertainment for review

The Sniper (1952)

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The Sniper (1952)

The cover to The Sniper Bluray from Umbrella Entertainment

Film: I really love crime stories. As a kid, in between horror and sci-fi novels, I’d occasionally find an old crime novel and get stuck into that as well. I still like to read those sorts of novels and thankfully, the people at the Hard Case Crime book company issue some great stories both from classic authors like Ray Chandler, from better known authors like Steven King, and by other authors with… well, different backgrounds like Christa Faust.

I get my in-screen thills mainly from TV shows like CSI, NCIS, and Criminal Minds (a show watched so often at my house that the title score has both lyrics and a dance written and performed by my daughter and I) but I still don’t mind getting my movie crime drama on by watching an occasional noir flick, and thankfully, Umbrella Entertainment have this one available to buy now.

Eddie (Arthur Franz) lines up for a shot

The Sniper was written by Harry Brown, the screenplay writer of the original Oceans’ 11 from a story by Edna Anhalt, and directed by Edward Dmytryk, who gave us other noir films like Crossfire, Obsession and Cornered.

The Sniper tells of Edward Miller (Arthur Franz), an ex-convict who is having trouble adapting to life on the outside, and whose resentment towards happy couples, has escalated into full blown hatred of women, and his need to execute them with hid rifle.

When he kills musician Jean Darr (Marie Windsor), it starts a city wide investigation, spearheaded by Lt. Frank Kafka (Adolphe Menjou), and as the bodies of brunettes starts to pile up, the police work on a psychological profile of the killer, and start to close in.

Eddie in hot pursuit of singer Jean (Marie Windsor)

I really love this sort of movie, and several months ago I reviewed the Sharpshooter Trilogy from Something Weird Video, and after seeing this for the first time, I’ve come to realise that maybe those films were desperately trying to emulate this one, with less success.

The film is very progressive for its time, sure there are some unfortunate references to American indigenous people and a few sexist terms, but the discussions with what should be done with people suffering from violent psychological problems is so advanced.

There is solid acting throughout the piece, and truly the direction is above what you would be used to in this world of blockbusters, Marvels and Star Warses. There are two scenes in particular that stick out, such as the baseball scene, the ‘hand burn’ scene and the actually final moments.

Fantastically, the film has pre-credit title cards that have mentions of the lack of laws for those with psychological issues, so it does feel like it’s somewhat of a message movie, and I guess it is.

This is not a high powered full of gunfire and death, but it is a well crafted piece of cinema that will sit with you for a bit. Anyone who has seen Martin Scorsese’s Taxi Driver or Todd Phillips’ Joker will probably enjoy this need though it is not related to a comic character, so don’t make that mistake. This really is a very early example of what some may describe today as an ‘incel’ film

Highly recommended.

Score: ****1/2

The menu to the Bluray release

Extras: Only a small amount of extras but some good ones though.

Introduction by Martin Scorsese sees Mr. Scorsese talk about noir movies and their influences on modern cinema. Really, who else is there to talk about this type of film.

There’s a commentary on the film by author Eddie Muller is fascinating and well worth the listen too. Muller is the president of the Film Noir Foundation, which is all about restoring some of the amazing noir films of the 40s and 50s, and his expertise is a joy to listen to.

Noir trailers, including this film, Crossfire, The Big Sleep, Lady in the Lake, The Brasher Doubloon, The Maltese Falcon, and many more, literally over a 100 minutes of noir trailers. The quality is various but it’s a fascinating watch.

Score: ****

WISIA: Yes. 100%.

A young man accused of being the killer reveals there’s many young men like the killer

This Bluray was supplied by Umbrella Entertainment for review