My Dear Killer aka Mio Caro Assassino (1972)

My Dear Killer aka Mio Caro Assassino (1972)

The cover to Shameless’ release of My Dear Killer

Film: This film opens with the greatest murder EVER put to celluloid. I kid you not: it has to be the MOST original murder weapon any killer has EVER used in a film, and I will have no argument.

The weapon of choice?

It takes a particular skill set to murder in this fashion

A bucket digger mounted on an earthmover (they call it a dredger in the film, but that is wrong) picks up a guy by his head and squeezes until it pops quicker than a zit in a teens bathroom. My reasoning for claiming its ‘best’ status is twofold: one, the inventiveness of the killer to think ‘Mmmm, opportunity is knocking, why not answer?’ when suddenly deciding to grab the victims head, and his/ her sheer chutzpah to actually use it… I mean, it is hardly stealth, kill-in-an-alley kind of a weapon!! Color me admirable!!

This film was directed by western/ Trinity Brothers director Tonino Valerii from a script by Roberto Leoni (Santa Sangre) and Franco Bucceri (Gli Esecutori), based on a story by them, along with Velerii himself and Django co-writer José Gutiérrez Maesso (which is nodded to in a scene where Django is played on a TV).

My Dear Killer tells of police investigator Luca Peretti (giallo regular George Hilton) who is assigned to a murder case when an insurance investigator has had his head removed in the aforementioned murder. As the layers of the murder unfold though, he finds himself caught up in an older investigation which involved the kidnap and death of a young girl. Of course as the investigation gets deeper, the bodies start piling up, but can Peretti figure out who the killer is with the unusual clues he has?

Giallo killers are always perverts too

As a fan of giallos I looked forward to seeing this, especially as its male lead was in other giallos such as The Strange Vice of Mrs Wardh and All The Colors of the Dark, and was much more than pleasantly surprised. Even though the story is quite detailed, it never becomes a victim of its own cleverness, nor does it becomes convoluted as some giallos do. The investigation goes from a to b without any longshot hunches that these films can sometimes contain.

There is some well played violence in the film as well, though somewhat silly at times (the killer sits and chats with one victim before searching her house, whilst she quizzically watches, for something to kill her with, and finds a circular saw!! This guy is clearly a disorganised serial killer to not have a weapon handy) and being an Italian film of its era, some stunningly gorgeous cast members.

I should also point out that this Shameless release is the first time it has been released uncut, which should add to the joy to those who like the bloodier side of things.

I think this film is a great giallo, and it is truly a shame that Valerii never made another as its direction is really solid. Also, it being a part of the Shameless collection, number 11 in fact,  gives it some collector swagger as well, with the spine of the amray making up the word ‘Shameless’.

Score: ****

The DVD menu screen

Extras: Not the greatest ever extras from Shameless on this disc. We have the trailer for the film, and a bunch of trailers of other Shameless releases, including What Have They Done To Your Daughters?, Night Train Murders, Torso (Carnal Violence), Baba Yaga: The Devil Witch, Ratman and The Black Cat.

Score: **

WISIA: Yes.

Strangled by the prices at the post office. Nothing’s changed.

This film was reviewed with the UK Shameless Screen Entertainment DVD release

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