Kill Chain (2019)
Film: There is a quite hilarious website called phrasegenerator.com, and I just love it. Basically, it randomly generates various things like political rhetoric (it generated: I want an America where greedy doctors and filthy hobos can’t sabotage our iPhone apps.), sports quotes (Talk about Ronovich – all speed no agility and 5 foot 6 – he’s gotta fork to the quarterback sneak and work the rushing opportunity.), academic quotes (The hypocrisy of codependency is really quite dogmatic in its agnosticism) and my favourite, action movie titles (here’s a few: Soldier of Trouble, Extreme Extremism, Instant Punishment).
Why point out this website? Well it seems to me that modern direct-to-video (DVD, Bluray, whatever) simply MUST use this website to come up with titles for their new releases. It’s close to the end of 2021, and Bruce Willis’ latest release is called ‘Out of Death’, Karen Gillian’s (from Doctor Who and the Marvel movies) in ‘Gunpowder Milkshake’ and speak-of-the-devil Nicolas Cage newbie is titled ‘Prisoners of the Ghostland’. Surely… SURELY, these titles weren’t to be taken seriously. The only title of anything I remember being as silly is the zombie-hating cheerleader video game Lollypop Chainsaw, and that being a title from Super and Slither’s James Gunn, you just know it must be very tongue in cheek.
Why does this preamble exist? That would be because I have just gotten my hands on the film ‘Kill Chain’, a film that essentially takes its title from a military manoeuvre, but is probably BETTER known as the video game trope of getting bonuses for kill bad guys without getting killed.
Still, though, it sounds like a randomly generated title.
Above that, It does have a some pedigree. It’s written as directed by Ken Sanzel, who has written or directed or produced lots of action movies and TV including episodes of Numb3rs, and 1998’s The Replacement Killers. Is it a fine pedigree? Let’s find out!
Kill Chain tells of Arãna (Cage), an ex-hitman/ mercenary who has been ‘left’ a hotel called Hotel Del Franco in Colombia by someone who he refers to as ‘his only friend’. One night, he is visited by a pair of mercenaries who are there to ‘finalise his account’, but they don’t realise what they have walked into is a black hole of violence and surprises, and a night that has been a long one for Arâna, and his patience has worn very thin.
This is a bizarre thing, this film. It’s slow and deliberate, with smacks of violence that pop up here and there that in a post-John Wick world are possibly a little cumbersome and not choreographed as one would like but occasionally are quietly brutal. The tension does build nicely at times but doesn’t always pay off.
The bizarre thing is… I like it. The odd walk around to get to the point, the fact that most of the characters have no names, the origami-styled folding story… it’s all somehow good. It has an extremely small cast, and has such a small amount of locations, it could have been a stage play!
I have to say how much I liked the soundtrack, composed by Mario Grigorov. Sometimes it’s a pumping modern-day interpretation of a John Carpenter synthwave soundtrack, and at others, a flowing end-credits giallo track from the 70s. I loved every second of it.
Extras: Sorry, but it looks like even the extras have been executed!
WISIA: I’ll definitely watch it again as it has a weird DTV, low-budget appeal to it. It’s cumbersome, but strangely engaging.