Punisher War Zone (2008)

One from the re- watch pile…

Punisher War Zone (2008)

Film: I love films based on comics. No matter how bad they are, I love to watch them. I see them as an opportunity for a different creative team to take characters from a medium I love and adapting them to a format that is NOT a continuing story, but instead a one off look at the character. This of course can be difficult, and judging by the amount of bad comic based films, the results can be disastrous: Judge Dredd, Thor: Ragnarok and Tank Girl come to mind. The reason for this is simple: comics are mainly character based and not story based. The comics usually have an infinite life span, so even though a storyline may finish, the character continues on and on and on….sometimes too long.

This of course is not always true: V for Vendetta and Watchmen being two good examples of story rather than character based comics, and both were executed well, but a character based story can sometimes be filled with too much, especially a first film of a character, as you have to have not just the characters origin, but also an engaging storyline to boot, a villain to vanquish and a damsel in distress to rescue. This is why the second film based on a character can occasionally flow better. Sure, the origin may to be refreshed, but in general, the antagonist can get about his work pretty quickly.

So here we are with the second Punisher movie, and I call it the second as I choose to ignore the Dolph Lundgren effort, for no reason other than the time between it, of the Thomas Jane one of 2004. Besides, the Dolph Lundgren Punisher was really just an action film that had elements of the comic Punisher in it, whereas the more recent effort directly had elements in common with the comic version, and at least attempted to be a Punisher movie.

I will say though, thankfully all versions have chosen to ignore the comic-based Punisher’s original choice of shoe, which was a Nancy Sinatra, These-Boots-Were-Made-For-Walkin’, don’t wear after Labour Day, lily-white pair of boots.

The Punisher: War Zone, based on the comic of the same name, does not have Thomas Jane playing the title character, but instead has replaced him with the, in my humble opinion, far more appropriate Ray Stevenson , who also has played Volstaggin the Marvel Studios films, whose presence during this movie screams The Punisher. Taking place about 5 years after his alter ego Frank Castle’s genesis as the Punisher, this movie sees him initially up against a fairly generic mafia, whom he absolutely annihilates in a bloody orgy of violence, except for Billy Russoti (Dominic West) and his immediate henchmen, one of whom is undercover FBI. Keen to finish the job on the whole family, the Punisher follows the gang to a glass recycling plant, where after a gunfight, he accidentally kills the FBI agent, and not so accidentally throws Billy into the glass crushing machine.

Billy, of course, survives, but with a severe facial deformation, and a new name to reflect his Frankenstein-ian looks: Jigsaw! The first act Jigsaw does is get his mental case brother, Looney Bin Jim (Doug Hutchison… you should remember him, he played ‘Tooms’ in The X-Files) out of the mental facility in which he is being held, and then: vengeance. As far as Jigsaw is concerned, The Punisher needs to be taken out of the picture, and also, on a personal note, the wife, Angela (Julie Benz) and daughter Grace (Stephanie Janusauskas) of the FBI agent need to go the same way.

Frank’s guilt in killing the FBI agent causes him to want to quit ‘the business’ but when his weapons and technology supplier Micro (Wayne Knight) and Angela and Grace are kidnapped, under the noses of FBI agent Paul Budiansky (Resident Evil’s Colin Salmon) and police officer Martin Soap (Dash Mihok), The Punisher goes absolutely ballistic…. Literally! Jigsaw, of course, gathers the might of as many gangs from across the city as he can, and the only way to describe what is about to happen is to use a quote from another Lionsgate film, which also contains a character named ‘Jigsaw’…

‘Oh yes, there will be blood’.

This film is directed by German karate champion Lexi Alexander, but don’t let her being a female director trick you into thinking that this film has its feminine side in place: this film is an arse kicking, head popping, guns blazing punch in the guts all the way. It is perfectly cast, and special mentions have to go to Stevenson’s totally dry and humorless portrayal of Frank Castle, Doug Hutchison’s totally bonkers Loony Bin Jim and Julie Benz as a brunette….wow!!

The direction of this film deserves a special mention as well: the total aesthetic of the comic has been captured perfectly, it is framed and colored like a comic is, so much so I almost expected there to be an ‘inker’ credit in the films titles. This film was also filled with little touches for the comic fans, like the Bradstreet Hotel named after Timothy Bradstreet (Punisher cover artist extraordinaire), and secondary characters such as Maginty and Pittsey that have featured in the comics, albeit maybe after a small cinematic facelift.

This truly is an excellent rendition of The Punisher. It is certainly the first time it has been done right (except for the dulling down of the Punisher’s chest logo), and Ray Stevenson is the absolute perfect man for the role. John Bernthal in the Netflix Tv series came close, but Ray’s 100% my guy for the role.

Even those who have no familiarity with the comic, or the character, should have no problem catching up, and should enjoy the film for the bloody action experience that it is.

This is the Punisher film fans of the comic character have been waiting for. Vicious retaliation mixed with senseless bloodshed is like a dream come true for fans of this character.

Score: *****

Format: Supersexy transfer presented in anamorphic widescreen 2.40:1, with a crystal image that shows off Lexi Alexander and cinematographer Steve Gainer’s efforts perfectly. A fabulous Dolby Digital 5.1 that used the subwoofer so often I thought I may have to get it replaced. Explosions, gunfire, furious retribution….yeah!

Score: *****

Extras: A pretty cool set of extras on this disc, though no ‘Comic to Film’ one tragically, which are the ones I really love! This Punisher release could really do with a thorough ‘Comic character’ documentary like the ones seen on the releases of Ghost Rider and Iron Man, but they seem to have gone by the wayside now that things like the MCU have completely different identities from the comics.

The audio commentary with Director Lexi Alexander and Cinematographer Steve Gainer is a thorough one, with both of them commenting on many aspects of the film, from casting to design to special effects. There both seem to love their craft and the commentary only rarely, if at all, dips into mutual masturbation.

The Making of The Punisher Featurette is a traditional kind of feature, with a lot of the focus being on the casting, and voice bits from most of the major cast.

Training for the Punisher shows Ray Stephenson going through his paces with the marines, learning the ropes for both weapons training and hand to hand combat. Stephenson is an impressive model as an action hero, and the marines he is training with seem to appreciate his presence as well. There is also a small discussion with action sequence supervisor Pat Johnson, who talks about how important physical fitness is for an action hero, and we get to see footage of Ray Stevenson beating up on him… which when you see how short Johnson is, almost seems unfair (though I am sure that Johnson can handle himself quite well!!).

Weapons of the Punisher is a great featurette for fans of ordinance!! The weapons master of the film Paul Barrette discusses how the guns are applied to character archetypes to complete the look of a gang…. Something one may not generally take into account. John Barton, the military supervisor also speaks about the use of weapons in the film.

Meet Jigsaw introduces us to Dominic West, and he discusses the role, and the make-up application that go along with it. Most surprising in this featurette was the fact that West is actually English, as I was completely convinced by his over-da-top New York accent (which may be insulting to our American friends, so my apologies: my only exposure to this type of accent has been via gangster films).

Creating the Look of the Punisher is a fascinating look at the mise en scene of the film, and how efforts were made for a particular look, which included the use of only three colors in each scene. Alexander even talks about how she would freak out if one of the non-shot colors was present on the set.

We also get trailers for Right At Your Door, Underworld: Rise of the Lycans, Vinyan, Lakeview Terrace, and The Burrowers.

Score: ****

WISIA: This comic movie is easily one of my favourites and gets a regular look.

Comic Review: Naruto Volume 1

NARUTO VOLUME 1

If you’ve read anything about me here at the To Watch Pile, you’ll know that I love my comics. I’ve been collecting for years and enjoy everything about them, but I insist that both the art and the story are of a decent standard.

It’s a medium that celebrates both and should do so.

Now I’ve mainly been a Marvel or DC guy, with a few dalliances into Dark Horse and some of the other smaller companies, including the mighty 2000AD and also for a while was grabbed some manga stuff, like the Akira collection, and now defunct company Eclipse used to do Robotech comics as well., and even occasionally, and for a reason opposite to my claim about liking both art and story, I’d get Shonen Jump comics just for the cool Japanese styled drawings.

Now I’ve not bought manga for years, but recently, due to an occupationally change, I have become in contact with HUGE anime and manga fans, and upon their say so I have decided to check some out. It just so happened, coincidently that the bookshop near my work started getting a pile of manga collections in: Sailor Moon, One Piece, Death Note, Attack on Titan, and this one, Naruto, which I decided to give a go.

Naruto tells of a neophyte ninja desperate to prove to a town that hates him that one day he will be the greatest ninja in the town, but first he has to graduate ‘ninja’ school and prove to all who despise him that he is greater than the evil force that’s living inside him.

This comics was published by Viz Media and as it is a manga, it does read from back cover to front, and each page from right to left.

Story: This first Volume of Naruto is all about setting up the story. It’s divided into 7 chapters which start at Naruto becoming accepted into the Ninja teachings and how he and two contemporaries, the serious Sasuke and dreamy, love-lorn Sakura start on their journey with their teacher Kakashi. This book also reveals the horrible secret that Naruto has hidden within.

The story is all about introductions and setting up but never becomes bogged down with them, and the story moves along a quite the clip. Writer/ artist Masashi Kishimoto has really given The main characters a variety of personalities, and they read nicely as completely different ‘types’ of people.

Score: ***1/2

Art: Madashi Kishimoto’s art is fantastic. It’s nice and simple and light and the characters are just ever so slightly cartoony, but not enough so it becomes a distraction, or do you ever not think they are ‘real’ people. The action is fast and furious and contemplative scenes are relaxed and understated.

Score: ****

WIRIA: I sure will: it’s totally cool! I’ve even already bought Volume 2!

Suicide Squad (2016) report


I have been a fan of the Suicide Squad comics since the eighties, particularly due to the presence of Flash Villain Captain Boomerang (he’s Australian, it’s national pride) and Deadshot, in the post Legends comics, though I must admit that other series’ that have come out I haven’t always been a fan of; I think I like those ‘non team’ books like this, and Marvel’s Defenders.

I was excited to see this film as I loved the cast, and looked forward to a new Joker as I have never been a fan of Heath Ledger’s portrayal in Christopher Nolan’s Batman films. 

Suicide Squad takes place in the emerging DC Cinematic universe, and is the third instalment after Man of Steel and Batman vs Superman (though I still believe that these films follow on directly from Nolan’s) and tells of a secret governmental task force run by a ruthless official named Amanda Waller (Viola Davis), and with boots in the ground control by a special ops soldier named Rick Flagg (Joel Kinnaman) which contains bad, awful, villainous occasionally super-powered people who are controlled by bomb in their necks, who are employed to do the dirtiest jobs… The suicide missions… That are too dangerous for soldiers to be sent to.

Honestly, I loved this film. Cast beautifully, shot like a super-slick modern day action film, and is pure blockbuster. I wasn’t disappointed by Jared Leto’s Joker at all, though the perfect comic Joker still hasn’t been done properly, and the rest of the cast, including Will Smith as Deadshot, Margot Robbie as Harley Quinn, Jai Courtney as Captain Boomerang, Jay Hernandez as El Diablo, Adewale Akinnuoye-Agbaje as Killer Croc, and Karen Fukuhara as Katana were bang on, though Cara Delevingne as The Enchantress was.. Well… A little lame,  though she looked amazing. Certainly a lot better than her 80s comic counterpart!


I know this film was tested and then went back to production to add extra bits too it, and there was really one issue with this film: the extra reshoots, whilst seamless, do have a point where one character reacts positively to a current event, that has already happened in his/her particular circumstance. It sat weird with me.

So it’s a big dumb blockbuster and if you expect anything other than explosions, tied together with snide jokes and a bit of sexiness, you should just stay at home. As far as I can see, what you see at the cinema now reflects what you buy at the concession stand: fast food for the mind, and if you expect an exquisite, healthy three-course meal, brother, you need to check yourself.

I do have to give a special note that a tribute to the 80s Suicide Squad creator, John Ostrander, features in this film, and as both a comics and film fan, I like to see that.

No doubt when the inevitable gigantic ultra mega bluray version is released I’ll give a proper review, but for now:

Film: ****