Pitchstorm Party Game

Pitchstorm

The game Pitchstorm from Skybound Games

There’s one thing that every single person whose ever watched a movie have in common: they have suggested a different angle or ending to a scene, or to the whole movie itself. Movie goers are all potential movie writers or directors. Seriously, every time you see an interview with a modern filmmaker they talk about how they were influenced by *insert name here*, and that’s exactly the mentality that this game preys upon.

Sure it is easy to come up with a better ending, but how easy is it to come up with a pitch for a film on the spot? If a movie producer came to you and said,’ I hear you’ve been talking smack about my films, YOU come up with a better idea!’, could you do it, or would you just blather on and watch them and their multimillion dollar investment walk away…

Pitchstorm is a party game that gives you that opportunity… well, without financial offer anyway.

An example of the Character Cards

The rules for Pitchstorm come in two different ways, one for 3 to 5 players, and the other for 6 to 12, so as a party game, it can be suitable for a small table or a large gathering of people. The rules are only slightly different as the second offering makes it a team based game.

The concept is very simple. Each player (or team) have to pitch an idea to the player acting as ‘the executive’, who then picks the best pitch and that player (or team) received a point.

An example of the Plot Cards

At the beginning of the game (for a 3 to 5 player game), one player as picked as the executive, and they get to draw three cards from the ‘Notes’ pile. Next all the players get to draw three cards from either the Character or the Plot pile. Each player, in turn has to pick one card from the deck they DIDN’T pick from initially, for example, if a player drew three plot cards, they now pick one character card.

After they have their single card, they have to pick one of the three cards in their hand and have 90 seconds to pitch their movie to the executive. However, and the 60 second mark, the executive picks one of their notes and tells the pitching player that this has to be added to the pitch. The executive picks the movie they liked the most and that player keeps their ‘note’ card as an indicator of one point. This goes around the table until everyone has had a turn, and the winner is the one with the highest amount of note cards.

An example of the executives notes

In a larger game, teams of two, each team player either takes three character or plot cards and place them at the same time for the concept of their film. During the 60 second pitch, performed by both players, the executive team, who have note cards each, will place their note cards so the players have to adjust their pitches twice with the new information. The scoring is the same as above except for the team.

The final goal for this game is variable, as you can play it as long as you want but just as long as each player/ team has had an opportunity of being the executive.

NB.: there is a Pitchstorm timer app available on the App Store.

Pitchstorm is a fun game for a big group, but only if every one is compliant with the concept. Like bigger games like Dungeons and Dragons, if a person is not INTO playing the game, they won’t just have a bad time, they will drag the entire game down. It is, essentially, a storytelling game and that story/ joke telling skill set is one necessary for a fun time. This is a game for people who love to be creative and loud and funny.

Not reviewed but available are 7 expansions: Pitchstorm NC-17, Pitchstorm Date Night, Pitchstorm Superheroes, Pitchstorm Animation, Pitchstorm Creature Features, Pitchstorm So Bad It’s Good and Awards Season. Most of these are simply entertaining the tropes that the name suggests, but Awards Season also adds Award Cards, which give bonus points.

Score: ***

Nightmares in Red, White and Blue: The Evolution of the American Horror Film (2009) Review

One from the To Watch Pile…

NIGHTMARES IN RED, WHITE AND BLUE: THE EVOLUTION OF THE AMERICAN HORROR FILM (2009) REVIEW

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Film: Even though their releases are hit and miss, I am always willing to giving Australian company Monster Pictures a go. Sometime I get a gem like   All Through The House, other times I am kicked in the nuts with trash like Pod, but I still feel that support is important.

On a few occasions, Monster Pictures will release a documentary ABOUT films, like Andrew Leavold’s The Search for Weng Weng, the unusual film about Richard Franklin’s descent into madness Lost Souls, and this, the more mainstream horror based doco about the American horror film, Nightmares in Red White and Blue: The Evolution of the American Horror Film.

Now I am a massive fan of documentaries about film, and site The History of Film TV series as my second favourite TV series of all time (the first is Doctor Who, the third is Criminal Minds) and I am a regular viewer of other docos like Video Nasties, Channel Z, Not Quite Hollywood, Machete Maidens Unleashed, Rewind This et cetera.

I think the reason I am so interested in these documentaries is because I am somewhat of a frustrated filmmaker myself, and would love to make docos!

Now the history of horror films would be a TV series unto itself as so many countries have a massive horror film industry themselves, so this one egotistically narrows its focus solely on the American horror film.

The film is narrated by horror icon Lance Henrickson, and features interviews with various directors like Joe Dante (The ‘Burbs), George Romero (Land of the Dead ), Brian Yuzna (Beyond Re-animator), John Carpenter (Halloween (1978), Larry Cohen (The Stuff), Darren Lynn Bousman (Saw II), Mick Garris (Riding the Bullet), Tom McLoughlin (Sometimes They Come Back) and Roger Corman (trust me, you’ve seen a Corman film), as well as film historians John Kenneth Muir and Dennis Fischer and ex-Fangoria editor in chief Tony Timpone.

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This is a pretty good movie, though as the title would suggest, its very insular and outside a couple of mentions of what is happening in the overseas film industries, it talks repeatedly about what was happening in America, to Americans (though apparently Canada is America now, according to the Cronenberg mentions) and how the various world wars effected Americans and the American horror film industry.

That’s a minor criticism though and the documentary takes a fleeting look at the entire history of American horror from the dawn of cinema appearing in America to Universal Monsters, to thrillers, savage cinema, slashers, zombies: you name it.

This documentary also looks at the highs and lows of the industry, and how the ‘real’ world (whatever that is these days) effects the quality and tone of horror films.

Horror movie fans will love the fact that this film doesn’t hold back on the violence and blood: obviously the director, Andrew Monument and writer, Joseph Maddrey (also the writer of the book on white this was based) know where the bread and butter of the genre usually is; you know, that surface interest before the story or acting or direction becomes and appeal.

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The real shame in this film is the lack of female discussion: no women directors, historians, journalists or actresses get a say here which I found unusual, considering how great their presence has become, and how important both sexes are to the genre. Seriously, Rue Morgue, the wonderful horror magazine was at its best when under the control of now-director Jovanka Vukovic, surely someone like her or her contemporaries (like Monica S. Kuebler or Rebekah McKendry or April Snellings or any of the other wonderful female voices in horror)  would have had something important to say.

Even over that, I enjoyed this documentary and am happy to have it in my collection of docos about horror films.

Score: ***1/2

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Disc: This region 4 DVD release from Monster Pictures runs for roughly 96 minutes and is presented in a 16×9 image of varying quality, which is not entirely fair as some of the footage is from old films but some of the interview do have some noise on their image, and the audio is presented in an entirely functional Dolby Digital 2.0.

Score: ***

Extras: Not a sausage.

Score: 0

WISIA: I have no doubt that I’ll watch this again as I do re-watch horror documentaries regularly.

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