Insidious (2010)

One from the re watch pile…

Insidious (2010)

Film: One thing I have found odd about cinema at the moment is that there is heaps of supernatural horror that’s popular to a mainstream audience. I am sure there is some kind of psychological reason that the general public is shying away from ‘real’ human killers in their horror, but I’m no psychologist so I can’t really comment on that.

What we have here is a film from Australia’s very own James Wan and Leigh Whannell, the creators of the Saw series and The Conjuring franchise, so Hollywood must love them with their ability to milk the cash cow.

Josh (Patrick Wilson) and Renai (Rose Byrne) have just moved into a new house but strange things start to happen after their son, Dalton (Ty Simpkins) has a minor fall off a ladder. Dalton goes into an undiagnosable coma and Renai decides after several bizarre encounters with various ‘things’ that the house is haunted, so they quickly move house again.

At the new house the family attempts to restart their lives but quickly discover that the house wasn’t haunted but instead, THEY are. Josh’s mother, Lorraine (Barbara Hershey) Steps in with some information and a contact, psychic Elise Rainier (Lin Shaye)

Aaaaaaand then it hits the halfway point, and becomes a farce.

Elise and her assistants, the ridiculous Tucker (Angus Sampson) and Specs (Leigh Whannell), come to investigate their claims, using such tools as a View Master Reel and other devices more ridiculous than anything Egon Spengler created in Ghostbusters, and then the film turns into a parody of Poltergeist, with the couple finding out their son has been taken to ’The Further’, which is basically the same as where Carolanne is taken in that same film.

The usual generic crap takes place with a visit the The Further in search of not his body, but his ASTRAL body which is what has been kidnapped by Darth Maul… I mean, a demon.

Will they get their son back? Will I care? Will this piece of crap spawn two sequels two date because people will watch anything if the marketing is good enough?

After an amazing opening with a likeable cast and a pretty interesting set up, even though it’s another stupid haunted house movie, is devolves into sloppy writing and generic imagery that has been done over and over again, even to the point Wan has even stolen from himself with some of the design looking like the Dead Silence dolls and ghosts, and then FROM here with some of the elements in The Conjuring.

Mostly Wan’s direction is pretty good, and the performances he gets from Wilson and Byrne make them immediately sympathetic protagonists, and he cleverly uses a few tricks from Mario Bava via Dario Argento to occasionally have some impressive looking scenes, which is usually spoiled by using the fast motion camerawork found in film clips by Marilyn Manson 20 years ago.

It’s a real tragedy when a promising first act gets crapped on by a disappointing second and third. Don’t bother with this film at all, unless it’s on free-to-air.

Score: *1/2

Format: The reviewed copy of this film was the Australian, region B Bluray which runs for approximately 105 minutes and is presented in an amazing and clean 2.40:1 image with a DTS-HD Master Audio 5.1 soundtrack.

Score: *****

Extras: The disc opens with trailers for Tucker and Dale Vs Evil, The Beaver and The Tree of Life before we are presented with the menu.

Horror 101: The Exclusive Seminar isn’t really a seminar about horror, but instead is the filmmakers explaining what they decided to write within the confines of this film, and how they decided to turn some of the tropes of traditional horror on its head.

On Set With Insidious is one of those usual ego-strokes where all the cast and crew talk about how awesome each other are, and this is all intercut with behind the scenes footage of the production.

Insidious Entities looks at the ghosts and demons of the film.

There is also a trailer for the film.

Score: ***

WISIA: I hate this post-millennial ghost story crap thats completely dependent of jump scares rather than actually being frightening, and the only reason I watched it again was for the benefit of you, dear reader, so you won’t have to.

The Conjuring (2013) Review

One from the re watch pile…
The Conjuring (2013)

The Australian Bluray cover


Film: I have said on several occasions that I am not a fan of ghost/ demonic possession films. It’s not because I am afraid of them, but rather I don’t believe in either so the stories hold no fear for me, and are occasionally interesting distractions rather than actual entertainment.

That’s not to say I don’t enjoy a good movie when it’s made, or am excited by a great performance, it’s just I don’t find the stories engaging enough as I find ‘true’ stories about possession to be a farce.

Anyway, this is the first film, directed by Australian director James Wan, about the real-life, honest-to-goodness psychic ghost-hunters, Lesley (Vera Farmiga) and Ed (Patrick Wilson) Warren and their exploration of the Perron family haunting, where Roger (Ron Livingston), his wife, Carolyn (Lili Taylor) and their 5 daughters move into a new house where strange things start happening.

Patrick Wilson and Vera Farmiga as the Warrens.


First their dog dies, then noises and a whole pile of spooky hocus pocus occurs, driving Carolyn to ask the Warrens for their help to try and get rid of whatever is in their house… and what is the horrible secret of the mysterious bruises appearing of Carolyn’s body…?

Considering this film is supposed to be based of a true story, it is full to the brim of stock standard tropes of generic, uninteresting ghost films. A whole bunch of jump-scares and totally post-millennium ghost story make-ups that are uninteresting and universal looking make this film little more than run-of-the-mill.

Also, Wan has included a pair of cannon-fodder buffoons, like the ridiculous Specs and Tucker from the equally daft Insidious films, who are really just mimicking those characters, and stand in as the ‘technical’ and ‘protection’ archetypes seen in stuff even back to Poltergeist. I’m not sure why they need a gun-toting type in their war on supernatural terror, but there he is, useless as boobs on a bull. Even with the Annabelle icon he robs not just from the history of possession/ ghost cinema but also from his own film Dead Silence from a couple of years earlier.

Lili Taylor as the haunted Carolyn.


The real win in this film is the cast. Wilson and Farmiga have a chemistry rarely seen in films anymore: they actually feel like a couple who have been together for years. Lili Taylor is amazing and ageless as she always is… seriously, she has looked exactly the same for 20 years! Surprisingly too, all 6 of the children in this film are amazing and not one of them is in the slightest bit annoying… or ‘the Anakin Factor’ as I like to call it.

The construction of the story is really clever too. Two set-ups occur in the first 45 minutes of this film, one of the family’s haunting and the other, the Warren’s history and skill set, so essentially for that period you are watching two separate stories that intersect when one requires assistance from the other.

It’s a nicely made film with some great performances but essentially it is a dull as dishwater, generic post millennial ghost story that surely must only appeal to people who don’t normally like proper horror films.

Score: **

The Australian Bluray menu screen


Format: This film was reviewed on the Australian Bluray release which runs for approximately 112 minutes. This film is presented in a perfect 2.4:1 image with an extraordinary, and I mean extraordinary, DTS-HD 5.1 audio. The soundtrack and audio style of the film is nothing short of spectacular.

Score: *****

Extras: The disc opens with a trailer for We’re The Millard, if that counts an an extra. I must admit I did buy that film based on this trailer.

The reviewed copy of this disc comes with a Bluray, DVD and ‘Ultraviolet’ version, which expired in 2015, so that possibly doesn’t count.

Onto the main extras:

The Conjuring: Face to Face with Terror looks at the actual family who believed they were being haunted that this film was based on. It’s interesting to hear the ‘actual’ tales from the people who were involved in the ‘real’ haunting and exorcism.

A Life in Demonology is a history of Ed and Lorraine Warren, the actual paranormal investigators. It’s a nice tribute to the two with some interesting stories.

Scaring the ‘@$*%’ Out of You looks at the making of the film and how even in a film that’s essentially a biopic, though a snapshot of an entire life, you still need to throw in those ghost story tropes to make it an effective horror film as well.

Score: ****

WISIA: I watched it twice: the first time originally and now to review it for you all. I doubt if I’ll watch it again.

Annabelle: has very little to do with this story but is now a money maker in her own right.