Studio 666 (2022)

Studio 666 (2022)

The cover to the Australian DVD release of Studio 666

Film: You know that when you get a movie starring a famous popular musical artist that your in for a treat, right? How good is Glitter, starring Mariah Carey… or Crossroads, with Britney Spears… or Spice World, with the Spice Girls…

Ok, I have to confess the Spice World movie is a guilty please, but I think you get the idea!

Dave (Dave Grohl) and his band, The Foo Fighters (played by… well The Foo Fighters) are trying to come up with something special and different for their tenth studio album. Their record company man, Jeremy Shill (Jeff Garlin) will do anything to get them to produce the new album so when they ask for a new studio environment, he gets his real estate agent, Barb (Leslie Grossman) to find them somewhere.

The Foo Fighters in all their glory!

What Barb finds them is a house in Encino that has a horrifying past, and very quickly, Dave starts seeing strange things and acting weird. The next door neighbour, Samantha (Whitney Cummings) tries to warn them of the house’s history, but has she come too late… well, of course she has!

This movie was written by Grohl and the a screenplay was adapted from it by the 2019 Pet Semetery remake writer, Jeff Buhler and Der Vulkan’s Rebecca Hughes. It’s director, BJ O’Donnell is best known for directing music clips for Slayer and other heavy metal bands, but was also responsible for Hatchet 3.

It’s certainly The Foo Fighters Show, and not only are they good at playing themselves, their comedy timing is impeccable and hilarious. It’s certainly a love letter to heavy metal, with a lot of new music played, and some amusing covers of old ones, including a hilarious scene where Grohl is abused by a dream version of Lionel Ritchie, PLAYED by Ritchie, for trying to steal his love ballad ‘Hello’!

Don’t think the guest stars stop there. In addition to Ritchie and a role played by comedian Cummings mentioned earlier, we also see a roadie named Krug (no doubt a reference to Last House on the Left) played by Kerry King, and the music producer, Rip Haight is played by director and composer extraordinaire John Carpenter, the joke being his characters name is an alias he has used occasionally when playing roles in his own films.

A tribute to The Burning

It’s a pretty solid story, both suitably gory and really funny at times. There is a lot of references to horror movies too, like Evil Dead, The Exorcist, The Burning and probably many more that I missed.

Studio 666 is an amazingly fun movie that would be a great double feature with something like Shaun of the Dead. This could have been an ego fuelled, cluster bomb of tripe but the entire production is a fun watch. The only two things that disappointed me were a lack of extras, and we only got a DVD release here in Australia.

Score: ****

The menu screen to the Australian DVD

Extras: There’s only one extra which is a gag reel, but for the first time in along time, it did actually get a chortle out of me here and there.

Score: **

WISIA: Hell, yeah! A gory horror comedy that’s ACTUALLY funny.

I’ve heard of ‘splitting the whisker’ but I don’t think this is right!

This review was done with the Australian DVD release.

Lords of Chaos (2018)

One from the to watch pile…

Lords of Chaos (2018)

Film: In addition to collecting movies, and books, and toys, and comics, I am also, stupidly, a record collector. This is an expensive hobby that is wonderful and a money pot if you allow it to be. As I am a movie lover, I predominantly own soundtracks to films, but I also have a fair bit of new wave, synth wave and heavy metal.

Now I understand that within the sub-genres of metal there is some quite opposed to each other, but I just don’t know why we can’t just all get along. Thematically, I do tend to lean more towards the harder, darker side of metal when I listen to it, though seeing as how my significant other is a country and western fan, I listen to it by myself. I also have read many biographies about musical artists and amongst those is a book by Didrik Søderlind and Michael Moynihan called Lords of Chaos, whose popularity is probably WHY this film was made as it is a fascinating story, and to paraphrase an old saying, the truth is almost always stranger than fiction.

Lords of Chaos tells the tale of Øystein Aarseth aka Euronymous (Rory Culkin), from whose point of view the entire tale is told, and the inception of a musical sub genre called Norwegian Black Metal.

Euronymous has a band called Mayhem which is looking for a new singer, which they find in a young man from Norway nicknamed ‘Dead’ (Jack Kilmer) who has a severe case of depression and a suicidal nature.

Euronymous has an ‘inner circle’ of devout followers to whom he preached the bands themes of destruction and rebellion, but it wasn’t until he met a young man named Varg Vikernes (Emory Cohen) that someone actually decided to act upon them.

Varg’s yearning for acceptance means he is willing to take Euronymous’ word as gospel, and eventually it seems Varg is more of a believer than Euronymous…. and this competition can only end in bloodshed.

Apparently, those who have survived this story, which has a subtext of ‘based on truth… and lies… ‘ have been critical of the accuracy of the film but a good filmmaker doesn’t always let the truth get in the way of a good story: the film ‘24 Hour Party People’ is a good example of this, where even within the confines of the film itself, the real people the film is representing appear to deny claims made about them, which makes for a seriously meta experience. Varg Vikernes was one who apparently particularly made commentary about the lack of accuracy within the film with reference to his character, and also it’s apparently not true that Euronymous had a girlfriend during some of the events of this film, but any excuse to see Sky Ferreira (from Eli Roth’s Green Inferno) is a good one, right?

As for the quality of the film itself, it’s completely engaging and the cast are a likeable bunch of teenage miscreants and Rory Culkin certainly makes the film his own and he controls every scene he is in even if he’s not the focus at that moment. The subtleties of his performance really makes ring true.

The director, Jonas Åkerlund certainly gets the best out of all the actors and his re-telling of some scenes from different points of view really makes this film tragic as well as just a fun ‘let’s make a band’ film. What’s also amazing, and this might be a result of his Swedish heritage, he really knows how to make places look cold, and the bleakness of the environment reflects the attitudes the characters have towards each other… well initially.

Another choice that was made to make this film more agreeable with an audience not into the music is that it doesn’t actually appear on the soundtrack too frequently. This was a wise decision and the music is only really present during performances so the story of the people and the scene, which is what the movie is about takes precedence over the music.

From the amazing cinematography to great acting and sublime direction, I have to say I thoroughly enjoyed this film and really think anyone who is into music biopics should look into it, even if they aren’t into the music.

Score: ****1/2

Format: The film was reviewed with the Umbrella Entertainment DVD release and is presented in a thoroughly decent 1.85:1 image with a matching 5.1 audio.

Score: ****

Extras: When one considers this is based on a true story, it’s a shame they couldn’t find any extras. There is a couple of cool interviews on the Arrow Bluray release so if extras are important to you, that might be an option.

Score: 0

WISIA: This is one of those films that the filmmaker has been so careful in creating subtleties in the mise-en-scène that it really does take a couple of watches to take it all in. Make SURE you watch it more than once!