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Slither (2006)

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Slither (2006)

The Umbrella release of Slither with amazing slipcase by Simon Sherry

Film: James Gunn is certainly one in a million. Most people know him from Marvel’s Guardians of the Galaxy and The Suicide Squad, but his career before that was SO much more fun, and honestly, creative.

There’s an amazing two pack of films that I suggest to anyone who doesn’t know his work, and that’s his superhero film Super, starring Rainn Wilson, and this film, Slither.

Slither tells of the small town of Wheelsy, and after an argument with his wife, Starla (Elizabeth Banks), Grant Grant (Michael Rooker) finds himself in the woods, potentially about to commit adultery after being reunited with a school friend, Brenda (Brenda James), but unfortunately, Grant ends up having a dart shot into his abdomen by something that appears to be not-of-this-earth.

Michael Rooker and Elizabeth Banks as Grant and Starla, respectively

Grant collapses and we see, via X-ray, the dart burrow it’s way up into his head.

The next day, Grant is a changed man: he is quieter, and is desperate to collect as much meat as he possibly can, and Starla has noticed the change. Grant revisits Brenda, and with two newly grown tentacles, impregnates her with, what we find out later, to be thousands of leech-like brain slugs.

Whilst all this is happening, Sheriff Bill Pardy (Nathan Fillion), a childhood sweetheart of Starla’s, is investigating Brenda’s disappearance, and obviously, all this quickly collides as the slugs invade the town, and burrow into the mouths of everyone they comes across… will he and Starla survive?

This film is extraordinary in that the fun is a gory, gross out horror movie, that still has elements of laugh-out-loud comedy. The story is solid, and doesn’t overexplain where the ‘thing’ came from initially, except for in some interesting hive-mind flashbacks.

A brain slug tries to take over Emily (Matreya Fedor)

You can really see Gunn’s early career at Troma influencing this film, except for the budget. The humour is sophomoric (thankfully) and the gore is sudden, disgusting and surprising. There is a body bisection that still, after many if watches of this film, delights me to no end.

The cast is also fantastic. Fillion is charming and likeable and Banks is just adorable as well. Special mentions have to go to the appearances of Lloyd Kaufman as the town drunk, Jenna Fischer, a TV crush of mine from the Office, as the police receptionist (who also starred with Gunn in the film LolliLove) and Gunn himself as the most awkward of school teachers.

Gunn’s slick writing and directorial style is present here as well. The script is full of old school jokes, some of which may not sit well with a 2022 audience, but fit for the location and time period, and the direction has some really interesting angles which really makes the film fun to watch. The effects don’t sit as well as they did, but that’s to be expected and if you are able to overlook some of those bits of CGI due to age… this movie is almost 20 years old remember, so even though the practical effects are great, some of the CGI isn’t so perfect, but it’s all still very effective.

This film is a beautiful throwback to films like Henenlotter’s Brain Damage or Stephen Herek’s Critters and could be watched alongside them and not seem at all out of place, even though this film was made 20 years later.

I think I really like this film because of its 80s/ drive-in influences, and was more than happy to revisit it! This Bluray from Umbrella Entertainment is from their ‘Beyond Genres’ imprint and has a pretty awesome slipcase by Simon Sherry.

Score: ****

The menu for the Bluray release of Slither

Extras: A bunch of fun extras on this disc that were on the original DVD back in the day.

Audio commentary with James Gunn and Nathan Fillion is interesting and charming and full of lots of reminiscing about the films of the 80s and the making of this film.

The Slick Minds and Slimy Days of Slither: Making of Featurette is a quick ten minute look at the origins and making of the film.

Who is Bill Pardy? starts as an amusing set of outtakes of Fillion, saying ‘I’m Bill Pardy whenever he screws up, but then turns into an amusing roast of Fillion by the cast and crew.

Slither Visual Effects Progressions looks at the different plates the CGI went through from the initial filming to the resulting effect.

Bringing Slither’s Creatures to Life:FX Featurette goes through all of the practical effects used in the movie, ad is quite fascinating!

Slithery Set Tour with Nathan Fillion is a brief bit with the ever charming Fillion filming some behind the scenes stuff with his particular brand of comedy.

The Gorehound Grill: Brewin’ the Blood is basically a recipe for the blood used in the film.

The King Of Cult: Lloyd Kaufman’s Video Diary is a little bit of home video made by Lloyd Kaufman, the King of Troma, and the man who directed Gunn’s script Tromeo and Juliet, who was invited by Gunn to have a cameo in the film.

Deleted Scenes and Extended Scenes as usual are an interesting watch but ultimately not necessary.

Gag Reel is one back from the old days when gag reels were actually funny and not staged like the modern day Marvel ones.

Score: *****

WISIA: I will easily watch this film at anytime!

Nathan Fillion takes aim!

This film was reviewed with the Umbrella Entertainment Bluray release.

Lords of Salem (2012)

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One from the rewatch pile…

The Lords of Salem (2012)

Film: He’s one of us, that Rob Zombie guy. He’s a music lovin’, horror and comic nerd who is doing what most of us wish we could be doing: making money doing what he loves most. Thankfully, one of those things is making horror flicks that pay tribute to horror and exploitation film history with cameos and homages galore. I loved House of 1,000 Corpses, The Devil’s Rejects and his remake of Halloween, and I’ll even forgive him the hiccup that is Halloween 2, especially if he continues to produce quality horror like this, The Lords of Salem.

Recovering addict Heidi LaRoq (Sheri Moon Zombie) is a DJ who works with ‘Whitey’ Salvador (Jeffrey Daniel Phillips) and Herman Jackson (Ken Foree) as part of popular radio show The H Squad on Radio WIQZ in Salem, Massachusetts. One day, the station is sent a record, packed in a wooden box, by a group called ‘The Lords’ whose song, when played, puts the women of Salem in a trance, and being addressed to Heidi, it seems to be specifically focused on her. Over the course of a week we watch Heidi slowly succumb to the record, and as a live performance by The Lords looms closer, things get more and more surreal…

As is typical with Zombie’s films, and his borrowing from cult/horror/exploitation greats, you get a familiar vibe: I myself got a mild Suspiria/Inferno feel off this one. There are a few occasional clunky moments in the script, but they are never bad enough to detract from the overall feel of the film.

Zombie’s directorial style has become more matured over the years, and even though his frenetic video clip style does appear in various fantastic sequences, his ‘straight’ film sections are well filmed and are a pleasure to watch. Actually, this restraint probably makes the dream sequences seem far even wackier than they actually are.

Again, one of Zombie’s signatures is his ability to find legendary actors, although in this case legendary could perhaps mean ‘forgotten’. We have star turns from 10 Rillington Place’s Judy Geeson, The Howling’s Dee Wallace, They Live’s Meg Foster, Rocky Horror Picture Show’s Patricia Quinn and Dawn of the Dead’s Ken Foree, Willard’s Bruce Davison and cameos from genre legends Michael Berryman, Sid Haig, Billy Drago and Barbara Crampton. Special mention has to go to Torsten Voges from 8mm as the Norwegian (?) Death Metaller Count Gorgann, and Sheri Moon Zombie proves herself quite capable in a lead role I previously assumed she would have either been too annoying to carry off, or flat out incapable of.

So even over and above all this typical fan service there lies a very creepy story once you stop saying things like ‘is that the chick that played Frank N. Furter’s maid?’ This creepiness is made even more… um…. Creepy by an amazing score that sits on your chest and pushes its way into your head. I watched this for the first time by myself quite late at night, and admit to being made somewhat uneasy by it, and when I watched it the second time, in the middle of the day with others around, I still felt the same about it.

Sure, it features the usual Rob Zombie faire of 70s rock, fan-service cameos from genre ‘legends’ and the finely tuned bottom of Sheri Moon Zombie, but The Lords of Salem also shows a restraint and maturity not seen in his previous outings. I thoroughly enjoyed it and hope Zombie pursues more films of this ilk.

Score: *****

Format: There is certainly no faulting the image of the film on the disc which is presented in it’s original 2.35:1 aspect ratio with 16:9 enhancement, but it tends to look a little messy, but that could be Zombie attempting to get an authentic ‘old’ film look to it. The audio sounds amazing with some great ambient sound provided by guitarist John 5 and DJ Griffin Boice. Don’t let the ‘DJ’ part deter you though; this isn’t a Korn meets Skrillex- type affair but instead a subtle goosebumps-inducing soundscape. This movie was reviewed using the UK DVD release.

Score: ***

Extras: The disc opens with trailers for three films: The Facility, Dark Skies and The Bay. They all looked pretty good, actually, and I might have to check them all out, which is something I can do with the time I have spare seeing how this disc has no extras other than a trailer for The Lords of Salem. I find this a stunning choice as Zombie’s previous outings have has some great extras.

Score: *

WISIA: Oh yeah! I’m totally on board for another ride in the Dragula, that’s for sure!

House of 1000 Corpses (2003)

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One from the re-watch pile…

House of 1000 Corpses (2003)

Film: Are you a fan of Texas Chainsaw Massacre, Last House on the Left, Eaten Alive, and sleazy 70s grindhouse? Well I’ve got a delectable feast of delights for you! A tale where Life and Death are Meaningless…and Pain is God!!

October 30, 1977, Ruggsville, four twenty something’s on a road trip across the USA (Chris Hardwick, Jennifer Jostyn, Erin Daniels and Rainn Wilson) stop at Captain Spaulding’s (Sid Haig) Museum of Monsters and Mayhem, a gas station/ fried chicken hut with a Ripley’s Believe It or Not styled freak show, whose main attraction is the bizarre ‘Murder Ride’. In the ride, the travellers are told about a local psycho, Dr Satan, who was hanged out in the woods by Ruggsville townsfolk, and whose body mysteriously disappeared the next day. The four decide to visit the tree on which he was hanged, and on the way pick up a hitchhiker, Baby Firefly (Sheri Moon). Soon one of their tyres is shot out and the four have to stop in at Baby’s House, where they are introduced to the murderous Firefly family (Karen Black, Bill Moseley, Robert Mukes, Matthew McGrory and Dennis Fimple). The succeeding story will shock, terrify and haunt the viewer…FOREVER!!!

Filmed in 2000, but not released until 2003, due to Universal’s cowardice towards an NC-17 rating, but eventually picked up by Lion’s Gate Films, Rob Zombie has created a visual trip that has more genre homage’s than you can poke a stick at. House of 1000 Corpses received Best Special Effects for Wayne Toth and Michael O’Brien at Fantasporto in 2004 where it was also nominated for Best International Fantasy Film, not to mention it was nominated for Choice Movie- Horror/Thriller at the Teen Choice Awards 2003.

Zombie obviously has great affection for everything that we Horror fans and Gore fiends love. Being a collector of the macabre and trash culture himself, not to mention a Marx Brothers aficionado (to which some of the characters are named after: Otis Driftwood, Rufus Firefly and Ravelli). To a layman, this film might seem a rip-off of The Texas Chainsaw Massacre, and there is no doubt that there are many comparisons, but there are levels to this film that make it so much more than that. To go into those levels would be to reveal far too much of the film itself, and lose some of its journey for the genre fan. Unfortunately this film has been heavily cut, when played at the Mar del Plata Film festival, it ran at 105 minutes but the eventual release plays at a mere 88 minutes. Don’t worry though; there is still plenty of carnage to enjoy.

The filming of this movie is great, sometimes Hollywood gloss, sometimes gritty and grainy, which gives the viewer an impression this was actually made in the seventies, and also has some quick MTV style cuts for dream sequences and such.

I absolutely love this movie. It’s never going to be known as a breakthrough of originality and top shelf acting, but isn’t entertainment what cinema is all about, something that this film delivers by the bloody bucket load. Zombie knows his genre stuff and has collected a cast from movies such as Texas Chainsaw Massacre 2, Spider Baby, Trilogy of Terror and others, to deliver ‘the Most Shocking Tale of Carnage ever Seen’. Have fun!!

Score: *****

Format: Always crisp and sharp, the 16×9 anamorphic widescreen is impressive, the only time this movie sinks to grit and grain is in its segues, where it is obviously deliberate. The audio is presented in an immaculate DTS-HD 7.1.

Score: *****

Extras: Unfortunately, this Bluray release is missing the spectacular menus from the initial DVD release. Those menus, hosted by Baby, Otis and particularly Captain Spaulding were fantastic, powered by Mojo DVD navigation; those menus had these three characters commenting on everything from what the special features contain, to your very own sassy hairdos.

Directors commentary is as you would expect from someone like from Rob Zombie. He talks all way through, rarely taking a break and revealing some interesting aspects of this film, including how much of it was filmed in the basement of his own house. Sometimes commentaries from only one person have long breaks or pauses, but Zombie has a short story for every scene that plays. The amount of extra bits and pieces he points out are incredible, even down to continuity faults.

The Making of featurette is a 4:14 minute summary of the film as told by the actors playing the leads, and a couple of sound bytes from Zombie about the making of the movie, but not very special or informative.

Casting is audition footage of Dennis Fimple (King Kong) who played Grandpa, which is pretty funny.

Rehearsal footage show some of the cast in their rehearsals for some particular scenes in the film.

The Interviews section has Q & A’s with Bill Moseley, Sid Haig, Sheri Moon and Wayne Toth (special make-up effects). Fairly standard fare, but interesting never the less.

Interview with William Bassett is a new interview from Umbrella Entertainment with William Bassett from The Towering Inferno and The Karate Kid.

Theatrical Trailers are fairly self explanatory.

Score: ***

WISIA: I love this film so its a regular rewatcher for me!

31 (2015)

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One from the to watch pile…

31 (2015)

Film: There is no doubt that I am an unabashed Rob Zombie fan. I loved the first album of his that I got years ago from Utopia records in Sydney, which must have been La Sexorcisto: Devil Music Volume one in the early 90s, and I’ve been a follower ever since.

I was pretty stoked ten or so years later too when I discovered that he was going to translate his monster fandom and image to the silver screen, and I, to date, have enjoyed all his films…

Ok, H2 was a misstep and the less said about that the better. In actual fact, I should also, for full disclosure, state that I absolutely LOVE Lords of Salem!

A group of Carnival workers, including Roscoe (Jeff Daniel Phillips), Charley (Sheri Moon Zombie), Venus (Meg Foster), Levon (Kevin Jackson) and Panda (Lawrence Hilton-Jacobs) are traveling in a bus to their next gig when they are stopped by a mysterious road block in the middle of the night.

Unfortunately for them they are captured by the goons controlled by Father Murder (Malcolm McDowell), Sister Dragon (Judy Geeson) and Sister Serpent (Jane Carr) who once a year at Halloween put a group of people they kidnaped through a trial where they have to survive a gauntlet populated by a bunch of murderous people such as Sick-head (Pancho Moler), Psycho-head (Lee Temple), Sex-head (Elizabeth Daily) and the unstoppable Doom-head (Richard Brake).

They have 12 hours to survive whilst being pursued by these clown-faced torturers and all the while, Murder, Dragon and Serpent place bets on who will survive the longest… but will any of them survive at all?

The thing I find weird about where Zombie has gone with this film is all the criticisms that i’ve heard about his other films, he seems to have attempted just to distill them together in one film. Essentially this film starts as a homage… tribute (?)…. rip-off (!)… to Texas Chain Saw Massacre before descending into a pastiche of Zombie’s previous films.

The worst crime committed is that the protagonists are unlikable jerks, so there is no threat. In actual fact you look forward to them getting killed, and whilst that may have been the point, the payoff of their murders just isn’t awful enough or gory or inventive enough for it to enter torture porn territory.

Honestly this whole film seems to be a vehicle for Richard Brake, whose Doom-head character has some great monologues and he’s an impressive figure of evil within it, even though his dual switchblade weapons are a little boring and unimpressive considering.

Zombie’s usual visual style and mix of incidental music and songs for the soundtrack are all present here and still look as good as ever (if you like his style, which I do) and so that experience is another positive in a film which basically, was not very good.

Score: *1/2

Format: This film was reviewed with the Australian Monster Pictures region B Bluray release which runs for approximately 103 minutes, and it’s image is difficult to judge as it is full of Zombie’s trademark ‘grindhouse’ filmstock appearance, so to say this 16×9 image is perfect is not true, but the look is a deliberate and artificial construct by the auditing and effects process, so it is perfect for the effect it is attempting to provide. The audio, however is a perfect 5.1 soundtrack.

Score: *****

Extras: The disc opens with trailers for other Monster Pictures releases The Greasy Strangler and Anti-birth before hitting the menu screen.

As far as extras are concerned, there are three behind the scenes galleries: one general one, one focusing on Zombie behind the camera and one of the photo shoot for the poster art. I don’t have much interest in static images on a disc made for moving images so this is essentially worthless to me.

At least there is also a trailer.

Score: *

WISIA: There’s much better films in Rob Zombie’s catalogue… actually there is better films in Andy Milligan’s catalogue. No, probably not ever again.

The Devil’s Rejects (2005)

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One from the re watch pile…
The Devil’s Rejects (2005)

The cover of the Australian Umbrella release of The Devil’s Rejects


Film: When Rob Zombie burst onto the scene of filmmaker, temporarily turning his back on music, a lot of people were in anticipation of what he’d do, and his film The House of 1,000 Corpses burst onto the scene, dividing the horror community into haters and lovers of its obvious tribute to 70s exploitation film, but with the quick cut/ short attention span editing of the MTV and VEVO generation.

Looking like a 90 minute version of one of his film clips, 1,000 Corpses introduced us the the wonderfully awful Firefly family: Mother Firefly (played by Karen Black in that film, but by Leslie Easterbrook in this one), Tiny (Matthew McGrory), Rufus (Robert Allen Mukes originally, played by an uncredited Tyler Mane here), Otis (Bill Moseley), Baby (Sheri Moon Zombie) and Captain Spaulding (Sid Haig) and their obsession with murder, death and mayhem, but what happens when a family like that gets the police, who were bound to catch up with them eventually due to their sloppy forensic countermeasures, appearing, armed to the teeth on their front doorstep.

Zombie wrote and directed this film which won a bunch of Fangoria Chainsaw and Scream awards and was nominated for another whole bunch of awards including the Best Horror Picture for the Rondos and the Golden Schmoes, not to mention a Satellite award for its original DVD release…wow, was the 11 years ago already?!?

The Fireflys: Sid Haig, Sheri Moon Zombie and Bill Moseley.


This tale sees the Firefly family on the run from the law. Mother Firefly has been caught by the police, but Otis, Baby and Spaulding and on the run, taking various people prisoner along the way to assist in their escape.

Their big problem, though is a cop by the name of Sherrie Wydell (William Forsythe) whose capacity for dogged pursuit is infallible, and whose methods probably aren’t exactly ‘police procedure’.

Will our heroes (?) get away from the cops and the bounty hunters they hired (Danny Trejo and Diamond Dallas Page) and make their way to Spaulding’s brother, Charlie’s (Ken Foree), or will their lives end in a bloody shootout.

William Forsyth as Sherrif Wydell


As you can see by the list of cast members I’ve named so far, Zombie’s loves getting old school horror and exploitation actors but there’s heaps more: The Hills Have Eyes Michael Berryman, Night of the Comet’s Geoffrey Lewis, Lords of the Deep’s Priscilla Barnes, Halloween’s P.J. Soles, Dr. Alien’s Ginger Lynn… oh, the list goes on! It’s a 70s/ 80s horror film fan’s wet dream.

This is a pretty full-on film and the violence, both physical and mental, is not for the easily disturbed. Zombies cinematic language is in full swing too, with the heat of the desert, the dripping sense of sleaziness and slow motion shots that make you ache in anticipation, but here, unlike 1,000 Corpses, he uses them far more effectively.

I’m an unabashed fan of Rob Zombie, but not to the point where I think he is some infallible god of music and cinema. I really love House of 1,000 Corpses, but I am well aware of its failings. With this film though, Zombie has managed to distill what was right about that film and improve it. The Devil’s Rejects isn’t as good as say, The Lords of Salem (which I adore), but it’s pretty damned good. Watch it as a double with Texas Chainsaw Massacre 2 For good measure!

Score: ****1/2

The menu screen for Umbella’s Australian Bluray release


Format: The reviewed copy of this film was done with Umbrella Entertainments Australian region B Bluray release which runs for approximately 110 minutes. The film is presented in a crisp and sharp 1.77:1 image with an amazing Dolby 6.1 audio track. 

Score: *****

Extras: Heaps of extras on this disc! Some of them are background ‘flavour’ bits from the film, but unfortunately no proper ‘making-of’.

Bloody Stand-up sees comedian Brian Posehn do a short stand up routine… whilst he has a bucket load of blood and make-up all over him.

Matthew McGrory Tribute is a nice short reflection on Matthew ‘Tiny’ McGrory’s life. He passed away just after the filming of this film and during the production of a biopic about wrestler Andre the Giant.

Buck Owens: Satan’s Got To Get Along Without Me is a filmclip of Buck Owens singing that very song. It’s twangalicious!

“Mary the Monkey Girl” Commercial is a commercial for Captain Spaulding’s latest attraction.

Captain Spaulding’s Xmas Commercial is a commercial for Spaulding’s Christmas promotion.

Otis’s Home Movies is footage of the depravities Otis committed upon his victims.

Deleted Scenes features 11 scenes deleted from the film. Normally I don’t have a problem with Scenes being removed from films but I would like to see an extended version with some of these back in.

Blooper Reel is actor’s screwing up, this one is a bit too long but it’s pretty funny.

Make-up Test looks at the actors in their costumes.its runs for well over ten minutes but the opportunity to see all the actors in their costumes is pretty awesome.

The Morris Green Show is a rip-off of 70s talk shows in the universe in which the movie exists.

If I am to have any objection to the presentation of the film, it’s the cover. I’m not impressed with the artwork and would have fathered seen something of the original movie posters for it. I’m not attempting to insult the art chosen as I quite like it, just not for this film’s cover.

Score: ****

WISIA: In General I love Rob Zombie’s films so I like to trundle this out now and again.

Victims of the Firefly’s carnage.

Rob Zombie’s 31…. on the SPOOKIEST day of the year!

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Rob Zombie’s 31
So you are keen to see Rob’s latest film 31, right? Of course you are! Who doesn’t want to see the latest film from the guys who gave us the awesome House of 1000 Corpses and The Lords of Salem?

Well,  Monster Pictures in Australia have some great news for us! We are going to get to see this film in cinema on the 31st October!

Why is that date so special?

C’mon kids, it’s HALLOWEEN!!!

This is what the official word is from Monster Pictures themselves:

“Rob Zombie, the genius creator of HOUSE OF 1000 CORPSES, DEVILS REJECTS and the HALLOWEEN reboots, returns to his grindhouse roots with a warts and all gore-fest that will have Halloween audiences across Australia praying for the salvation of their damned souls!

Set on Halloween morning in 1976, the movie tells the tale of five carnival workers who are kidnapped and forced to partake in a blood-crazed game called 31. The mission is to survive 12 hours against a gang of homicidal maniacs dressed as circus clowns – throw in a Nazi midget, murderous hillbillies, buckets of crimson gore and you have a Halloween spectacular from the deepest, nastiest recesses of the Rob Zombie’s depraved imagination!

Monster Pictures will release the film with a series of special event screenings around the country on October 31st ‘Halloween night’ at selected venues in Melbourne, Sydney, Brisbane, Canberra and Perth with more cities to be announced. These screenings will feature exclusive prerecorded intro’s and Q&A’s from cast and crew including the man himself, Rob Zombie.

Featuring a carnivalesque cornucopia of cult icons such as Malcolm McDowell (A CLOCKWORK ORANGE), EG Daily (VALLEY GIRL), Daniel Roebuck (RIVER’S EDGE), Ginger Lynn Allen (DEEP INSIDE GINGER LYNN) and Tracy Walter (REPO MAN) alongside Zombie regulars Sheri Moon Zombie, Meg Foster, Richard Brake, Judy Geeson and Jeff Daniel Phillips.”

You had me at Nazi Midget!

The locations for this event are as follows, again, from Monster Pictures:

Brisbane: New Farm Cinemas October 31st 9.00pm

Canberra: Canberra International Film Festival Cinemas October 31st 8.20pm 

Melbourne: Lido Cinemas Hawthorne October 31st 9pm

Melbourne: Classic Cinema Elsternwick October 31st 9pm

Melbourne: Cameo Cinemas Belgrave October 31st 9pm

Perth: Luna Palace Cinemas Leederville October 31st 9pm

Sydney: Dendy Newtown Cinemas October 31st 9pm

For ticketing requests along with any information regarding the screenings, please contact: info@monsterpictures.com.au.

Need more info, why not try the Monster Pictures website, and also, don’t forget to check out Monsterfest as well!

What are you waiting for? Get on it!

New Rob Zombie shirts from Fright Rags!

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If you liked the Alice Cooper shirts that Fright Rags did a few months ago, you might just dig these Rob Zombie designs announced today!


Now you won’t have to dig through ditches or burn witches to get this lot, they will all be available for  $27 US (plus delivery). Some of these designs are also available as tank tops or baseball shirts.

All photos (c) Fright Rags.