Summer vs Zombruary: Zombie Flesh-Eaters (1979) Review


This film serves a double purpose. It is the first of February, the final month of the Australian summer, and what better way to spend your final month of summer than on a beautiful island, with clear waters to sail upon, and the undead who wish for your destruction. Also, this is the first review of the To Watch Pile’s Zombruary: a whole month of nothing but reviews of zombie films!
One from the re watch pile…
Zombie Flesh Eaters (1979)

Zombie Flesh-eaters: The Arrow Bluray steelbook… unfortunately mine is battle damaged!


Film: I love Lucio Fulci films as they appeal to all the things I love about horror: the disturbing tale, the gore, the nudity, the violence, and especially in Fulci’s case, the sheer oddball-ness of it, or as ‘proper’ educated film critics may put it, his use of surrealism to convey the supernatural.

But I’m just some dude who likes horror movies, so I probably wouldn’t say that!

An abandoned ship enters New York Harbour with a soul occupant who attached a harbour police officer before being shot, and knocked off board. The owner of the boat’s daughter, Anne (Tisa Farrow) is notified of the murder and decides to sneak onboard to see if she can what happened to her missing father, who did not return with the vessel.

Zombie Flesh-eaters: Ian McCulloch and Tisa Farrow using the 70s version of a mobile phone.


When she sneaks onboard, which is being guarded by the NYPD, she meets reporter Peter West (Ian McCulloch) who is looking for a story, and the pair of them quickly team up to back track her father’s movements to find where he has been, and what may have happened to him. They charter a boat owned by Brian Hull (Al Cliver) and his lovely girlfriend, Susan Barrett (Auretta Gay) and make their way to the island of Matul.

…but what they find is a seemingly mad doctor, Dr Menard (Richard Johnson) fighting against the undead!!! Will they find out what happened to Anne’s father? Will all of them escape the island alive? Is this the beginning of some kind of zombie holocaust; some kind of dawn of the dead?

This isn’t my favourite Fulci film: The Beyond has that honour, but instead this still sits high on the cool list for me. 

First up it’s cool that a zombie film of this period actually has a reason for the dead coming back and it’s not just some kind of facility for cinema to tell us about ourselves. I love the fact it’s just a film about zombies, and not ‘consumerism’ or whatever.

Then its just the flat out insanity of some of the scenes: the zombies aren’t freshly dead like in Dawn of the Dead, they look almost mummified and have a real creepy texture about them. Except for one, the one that fights the shark, near the basically naked Audretta Gay in a g-banger and a scuba tank.

Zombie Flesh-eaters: surf ‘n’ turf


Finally, the gore is just so fantastically over the top one can’t help but just marvel at it, I mean, it’s not extraordinarily realistic, but even to attempt some of the ideas in a world of practical effects is absolutely awe inspiring. Even going back around to the zombie versus shark sequence, one can’t help but marvel at the job.

Basically, this movie is awesome. Get it, watch it, love it!

Score: *****

Zombie Flesh-eaters Bluray menu screen


Format: The film is presented in a really nice 2.35:1 restoration with a choice of two excellent audio tracks, English or Italian, in Dolby Digital 2.0. It’s never looked at good as this, for certain!

Score:****

Extras: Not sure if it’s an extra or not, but there is the opportunity to watch this film as either Zombie Flesh-Eaters, Zombie or Zombi 2. Which ever one you pick, it’s introduced by Ian McCulloch, and it’s really just a change in the title card and nothing else. Is that an extra? I’m not sure, but I thought it bore mentioning!

Also the release I have is a pretty fancy steelbook with some cool original art, and the packaging contains an excellent booklet with articles by Stephen Thrower, Calum Waddell and Craig Lapper, photos of the original script with comments by Jay Slater, Fulci’s CV and a full cast and crew list, all fully illustrated.

Outside of that it’s an Italian smorgasbord of extras. This disc treats us to two commentaries, one with Elisa Briganti who co-wrote the film with her husband Dardano Sancchetti and the other with U.K. horror journalists Stephen Thrower (writer of Nightmare USA) and Alan Jones (writer of Dario Argento: The Man, The Myth and The Magic). Both are fascinating, with Briganti’s being a fantastic look at the making of the film and the Thrower/ Jones one is a fantastic retrospective from two movie journalists, and fans, with whom I have a lot of respect.

Next we have a documentary called From Romero to Rome: The Rise and Fall of the Italian Horror Film. Starting at Night of the Living Dead, but with reflections upon older ‘zombie’ films, it looks at the Italian output in reference to Romero’s output. It’s a great look at zombie films for zombie fans.

There is a heap of trailers and advertising material here, with a U.S. trailer, the Vipco trailer, 2 TV trailers and some radio spots.

Then we have a second disc of just extras!

The first on this disc is called Aliens, Cannibals and Zombies: A Trilogy of Italian Terror which sees Ian McCulloch discuss his acting career.

Zombie Flesh-Eaters: From Script to Screen sees doco director Calum Waddell totally nerd-out (and rightly so!) at an original copy of the script with Dardano Sacchetti.

Music for a Flesh Feast is a Q and A with Fabio Frizzi which is pretty interesting look at how a composer approaches a film.

The Meat-munching Movies of Gino De Rossi is a special effects doco featuring the work of Italian special effects artist De Rossi.

Score: *****

WISIA: I couldn’t actually accurately tell you just how many times I have watched this film, it’s awesome!

Zombie Flesh-eaters: here’s worms in ya eye!

Zombi 3 aka Zombie Flesh Eaters 2 (1988) review

One from the re watch pile…
Zombi 3 aka Zombie Flesh Eaters 2 (1988)


Film: I have a very special place in my heart for the work of Lucio Fulci. Why? Because he’s freakin’ AWESOME! I was brought up on some of his films on VHS, specifically The Beyond and City of the Living Dead, and since the advent of DVD and Bluray, I’ve been able to expand my exposure to his work, and even though there are several missteps, and a lot of nutso stuff pumped out of his factory, I have a great affection for it all.

Ok, I’ve gotten the fanboy stuff out of the way, now for the ‘professional’ review, and I’ll point out that even though I like watching his films, I am well aware of the shortcomings of some of them. This film, known as both Zombi 3 and Zombi Flesh Eaters 2, is a real item of its time. It riffs on so many films, such as Return of the Living Dead and The Crazies, but doesn’t have the budget, or talent either in front of the cameras, or tragically behind them.


This film was written by Claudio Fragasso, though IMDB mentions Rossella Drudi who wrote Troll 2, and this is such a dog’s breakfast I see no reason why that wouldn’t be true, but her involvement isn’t the only reason for this film’s confusion. Fulci had a stroke during production, and the directorial reigns were handed to both Fragasso and second unit director Bruno Mattei, who dumped some of Fulci’s 70 minute cut, taking it to 50 minutes, and added 40 minutes of their own footage.

When a toxin is stolen from a research lab, it accidentally infects the thief. The toxic dies once airborne, but when transfer from human to human, via blood, or breath (hang on, isn’t that ‘airborne’?) or saliva, or other gooey, mucusy bits, it turns the infected into a violent, zombie-like crazy.

The original thief is found and his body destroyed by the army in a crematorium, but the doctor’s inform them that this was a stupid idea as the smoke could transfer the virus… You know, airborne (as fire cause it to mutate, obviously)… and infect even more people, or…um… Birds.


*sigh*

… And yes, birds and people are indeed infected and a zombie outbreak happens, as we follow a small group of holiday-makers and on-leave soldiers as they try to survive…

Ok, so there is so much wrong with this film. The cinematography is terrible at some points, one in particular is a car hood mounted camera looking into a windscreen that has a strong reflection on it, completely obscuring the occupant of the vehicle. Some of the dialogue is either completely crap, or ‘borrowed’ directly from Return of the Living Dead, also stolen from ROTLD is the way some of the music cues are presented: actually ROTLD is a source for a lot of the film. Especially fun is the acting… Well, the over-acting. The main Doctor character acts like he is in a Power Rangers outfit: you know what I mean, hands waving around, head wobbling and you know what a William Shatner impersonation sounds like? Well he talks like that!


In spite of, or maybe (probably) because of these reasons it’s actually entertaining. I mean, your mate who loves big budget, world destroying CGI fests is not going to find much here to enjoy, but you spaghetti-loving, Italian film fans are gonna roll their eyes in ecstasy.

Be warned: this isn’t a good film, it’s a fun roller coaster!

Score: **

Format: The film was reviewed as a part of 88 Films’ ‘The Italian Collection’. It is a region B Blu-ray Disc presented in 1.66:1 widescreen with a LPCM 2.0 track, both of which are pretty good.

Score: ****

Extras: Wonderful extras live in this two disc set. The first disc gives us alternate Italian opening and closing sequences, interviews with Dell’acqua (in a piece called Veteren of the Living Dead) MacColl (in a live Q & A with terrible sound), Ring (Zombie Reflections which is more a stills gallery with a voiceover about her career played over it, nothing wrong with that but again, the audio is substandard) and Fragasso, and a trailer reel featuring Children of the Corn, Don’t Go In The Woods, Hollywood Chainsaw Hookers, Live Like A Cop, Die Like A Man, Mother’s Day, Slaughterhouse, Trancers and Splatter University.


The second disc, called ‘Paura: Lucio Fulci Remembered’ is a collection of interviews divided into three sections: Accomplices (his cohorts in the making of his films), Peers (other Italian directors of the period), and Victims (his actors and actresses). It is a nice collection of tributes and anecdotes of the man, and something Fulci fans will enjoy.

Score: *****

WISIA: It’s dumb, but it’s fun, so yeah, even though it got a low score, I’d probably watch it again for kicks.